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The Book Thief

The Book Thief

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Chapter One

DEATH AND CHOCOLATE

First the colors. Then the humans. That's usually how I see things. Or at least, how I try.

***HERE IS A SMALL FACT  *** You are going to die.

I am in all truthfulness attempting to be cheerful about this whole topic, though most people find themselves hindered in believing me, no matter my protestations. Please, trust me. I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice. Nice has nothing to do with me.

***Reaction to the  *** AFOREMENTIONED fact Does this worry you? I urge you--don't be afraid. I'm nothing if not fair.

--Of course, an introduction. A beginning. Where are my manners? I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away. At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I'll hear after that will be my own breathing, and the sound of the smell, of my footsteps. The question is, what color will everything be at that moment when I come for you? What will the sky be saying? Personally, I like a chocolate-colored sky. Dark, dark chocolate. People say it suits me. I do, however, try to enjoy every color I see--the whole spectrum. A billion or so flavors, none of them quite the same, and a sky to slowly suck on. It takes the edge off the stress. It helps me relax.

***A SMALL THEORY  *** People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations, with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spat blues. Murky darknesses. In my line of work, I make it a point to notice them.

As I've been alluding to, my one saving grace is distraction. It keeps me sane. It helps me cope, considering the length of time I've been performing this job. The trouble is, who could ever replace me? Who could step in while I take a break in your stock-standard resort-style vacation destination, whether it be tropical or of the ski trip variety? The answer, of course, is nobody, which has prompted me to make a conscious, deliberate decision--to make distraction my vacation. Needless to say, I vacation in increments. In colors. Still, it's possible that you might be asking, why does he even need a vacation? What does he need distraction from? Which brings me to my next point. It's the leftover humans. The survivors. They're the ones I can't stand to look at, although on many occasions I still fail. I deliberately seek out the colors to keep my mind off them, but now and then, I witness the ones who are left behind, crumbling among the jigsaw puzzle of realization, despair, and surprise. They have punctured hearts. They have beaten lungs. Which in turn brings me to the subject I am telling you about tonight, or today, or whatever the hour and color. It's the story of one of those perpetual survivors--an expert at being left behind. It's just a small story really, about, among other things: * A girl * Some words * An accordionist * Some fanatical Germans * A Jewish fist fighter * And quite a lot of thievery

I saw the book thief three times.

BESIDE THE RAILWAY LINE

First up is something white. Of the blinding kind. Some of you are most likely thinking that white is not really a color and all of that tired sort of nonsense. Well, I'm here to tell you that it is. White is without question a color, and personally, I don't think you want to argue with me.

***A REASSURING ANNOUNCEMENT  *** Please, be calm, despite that previous threat. I am all bluster-- I am not violent. I am not malicious. I am a result. Yes, it was white.

It felt as though the whole globe was dressed in snow. Like it had pulled it on, the way you pull on a sweater. Next to the train line, footprints were sunken to their shins. Trees wore blankets of ice. As you might expect, someone had died.

They couldn't just leave him on the ground. For now, it wasn't such a problem, but very soon, the track ahead would be cleared and the train would need to move on. There were two guards. There was one mother and her daughter. One corpse. The mother, the girl, and the corpse remained stubborn and silent. "Well, what else do you want me to do?" The guards were tall and short. The tall one always spoke first, though he was not in charge. He looked at the smaller, rounder one. The one with the juicy red face. "Well," was the response, "we can't just leave them like this, can we?" The tall one was losing patience. "Why not?" And the smaller one damn near exploded. He looked up at the tall one's chin and cried, "Spinnst du! Are you stupid?!" The abhorrence on his cheeks was growing thicker by the moment. His skin widened. "Come on," he said, traipsing over the snow. "We'll carry all three of them back on if we have to. We'll notify the next stop." As for me, I had already made the most elementary of mistakes. I can't explain to you the severity of my self-disappointment. Originally, I'd done everything right: I studied the blinding, white-snow sky who stood at the window of the moving train. I practically inhaled it, but still, I wavered. I buckled--I became interested. In the girl. Curiosity got the better of me, and I resigned myself to stay as long as my schedule allowed, and I watched. Twenty-three minutes later, when the train was stopped, I climbed out with them. A small soul was in my arms. I stood a little to the right. The dynamic train guard duo made their way back to the mother, the girl, and the small male corpse. I clearly remember that my breath was loud that day. I'm surprised the guards didn't notice me as they walked by. The world was sagging now, under the weight of all that snow. Perhaps ten meters to my left, the pale, empty-stomached girl was standing, frost-stricken. Her mouth jittered. Her cold arms were folded. Tears were frozen to the book thief's face.

From the Hardcover edition.

(Continues...)

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Excerpted from "The Book Thief" by Markus Zusak. Copyright (C) 2007 by Markus Zusak. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Amazon User Reviews

Amazon Rating Beautiful and haunting Jul/28/2010

It takes a while to get through the oddly written beginning, but once the story appears, it is a beautiful and intriguing read. I love when a book grabs me and makes me cry. The characters are well developed and entirely human. Read it...it will haunt you.

by Daisyd902 ()

Amazon Rating One of the very best books I've ever read Jul/27/2010

I loved it ... which seems impossible given the horrific setting ... but I loved the tenderness amidst all the horror. Beautiful poetic images created through words. Characters you love. Highly recommended.

by CRichards (CA United States)

Amazon Rating Wonderful! Jul/27/2010

This novel is truly beautifully written. Heartwarming, deep, inspiring and thoughtful; it will stay with you long after you put it down.

by RiddlesKitty (Miami, FL)

Amazon Rating World War II Through the Eyes of a Child Jul/25/2010

This book.
Oh, this book.
What to say about this book.

In the prologue, it promised to tell me something. And so it did.

Three reasons why I liked it:
1. It was well executed. Many people griped about the writing, the characters, the pacing, the plot, and Death's narration. I loved it all. Everything was very well done, the writing especially. Some folks called it overdone, superficial, excessively flowery and that kind of bothered me: nobody ever says that when Tolkien does it. Personally, I found the writing engrossing and magical. Zusack definitely has talent in my eyes. Reading his book reminded me of why I love to write.

About the characters, I fell in love with them all. I like stories like Cold Sassy Tree, Memoirs of a Geisha, and the Secret Life of Bees to name a few, where it's more about themes and character development than it is an action-packed plot. So, instead of focusing on the battles, this book focused on the people at home, people who made me laugh, and cry. Rather than being action-packed it was emotion-packed.
People complained a lot that the book was slow, or too long. Personally, I didn't want it to end. Most because some things, told to you by death, waited in the final chapters. And because I enjoyed reading it. And even though the book is long, it's about 500 times more interesting that the Diary of Anne Frank (I seriously cannot fathom why people like that book).

Death's narration was fitting. It's not like it was that different from having an author/unknown narrate as happens in many books. We just got a little more personal this time. Death was funny and interesting (I liked his little bolded comments splattered through the book), though perhaps not clever, since it seems like an obvious choice.

2. It was about Nazi Germany-- from a German's point of view. I am part Austrain, and a sliver of German and nothing bothers me more when people make them out to be monsters in WWII. A handful of people in power were corrupt and forced a nation down a dark path. But saying that all Germans were murders and beasts is not quite right. It's like branding all Muslims as terrorists: there are a handful of extremists that ruin the image. A lot of times, in dangerous situations people end up compromising their morals to stay alive. Maybe that's not noble, but it's human.

That spiel aside, it was nice to read about Germans who weren't being shown as monsters. The town Liesel lived in had a good mix of those who agreed, those who agreed to stay alive, and those who quietly disagreed. I found that blend rather real, since life's not exactly cookie-cutter good and evil.

3. It filled me with more emotions than I can count. As with other wartime books told from a child's perspective, like the Boy in the Stripped Pajamas, you get an honest look at what war does to people. From Liesel's eyes we got no politics or preaching. We got the facts:
a. War Kills
b. War affects everyone, on all sides
c. War is a never fair

And that's it. That's simply just it. We experience war from every kind of angle, from each person in the town that Liesel befriends or beats up. We are shown monsters and heroes, victims and cowards. As the story moves through Liesel's life, I learned to love the people she loved, and hate the people she hated. I laughed with her and felt bad with her. And when the end, oh that end, when it came, I sobbed. (And I'm not giving anything away because our lovely narrator, Death, is rather blunt about who dies before they do so.)

On the cover of my book, it said it could possibly be life changing. I've heard from so many sources that is was brilliant.

And for once, I agree. For adults, and teens, this story about a book-loving girl is a particularly blunt tale about the reality of war, and how life goes on beyond the battle field.

Maybe it didn't change my life. But Zusack and his artful storytelling did inspire me. And of all the World War II books I've read, it's definitely up there. And in fact, of all the books I've read this year, this book is without a doubt one of the best.

by S. Yhann ()

Amazon Rating for the adventure lover Jul/21/2010

Written clearly and not for the feint of heart, this book is a great adventure into the mysterious world presented. The author uses appropriate languange and this is a multi cultural book written in english.It is an historical account. My Appaloosa: A Journal for Anyone Interested in Understanding Horses with bonus insert on painting and drawing horsesCoyote April

by artwings (usa)

Washington Post Review

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About the Book

"It's just a small story, really, about among other things: a girl, some words, an accordionist, a Jewish fist fighter, and quite a lot of thievery...."

This novel is narrated in the all-knowing, matter-of-fact voice of Death, who witnesses the story of the citizens of Molching.

When nine-year-old Liesel arrives outside the boxlike house of her new foster parents at 33 Himmel Street, she refuses to get out of the car. Liesel has been separated from her parents, "Kommunists", forever, and at the burial of her little brother, she steals a gravedigger's instruction manual, which she can't read. It is the beginning of her illustrious career.

In the care of the Hubermans, Liesel befriends blond-haired Rudy Steiner, a neighbour obsessed with Jesse Owens, and the mayor's wife, who hides from despair in her library. Together, Liesel and Rudy steal books - from Nazi book-burning piles, from the mayor's library, from the rich people for whom her foster mother does the ironing. In time, they take in a Jewish boxer, Max, who reads with Liesel in the basement.

By 1943, the Allied bombs are falling, and the sirens begin to wail. Liesel shares her books in the air-raid shelters. But one day in the life of Himmel Street, the wail of the sirens comes too late.

A life-changing tale of the cruel twists of fate and the coincidences on which all our lives hinge, this is also a joyous look at how books can nourish the soul. Its uplifting ending will make listeners weep.


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