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The Witching Hour (Lives of the Mayfair Witches)

The Witching Hour (Lives of the Mayfair Witches)



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Chapter One

The doctor woke up afraid. He had been dreaming of the old house in New Orleans again. He had seen the woman in the rocker. He'd seen the man with the brown eyes.

And even now in this quiet hotel room above New York City he felt the old alarming disorientation. He'd been talking again with the brown-eyed man. Yes, help her. No, this is just a dream. I want to get out of it.

The doctor sat up in bed. No sound but the faint roar of the air conditioner. Why was he thinking about it tonight in a hotel room at the Parker Meridien? For a moment he couldn't shake the feeling of the old house. He saw the woman again-her bent head, her vacant stare. He could almost hear the hum of the insects against the screen in the old porch. And the brown-eyed man was speaking without moving his lips. A waxen dummy infused with life-

No, stop it.

He got out of bed and padded silently across the carpeted floor until he stood in front of the sheer white curtains, peering out at black sooty rooftops and dim neon signs flickering against brick walls. The early morning light showed behind the clouds above the dull concrete facade opposite. No debilitating heat here. No drowsing scent of roses, of gardenias.

Gradually his head cleared.

He thought of the Englishman at the bar in the lobby again. That's what had brought it all back-the Englishman remarking to the bartender than he'd just come from New Orleans, and that certainly was a haunted city. The Englishman, an affable man, a true Old World gentleman it seemed, in a narrow seersucker suit with a gold watch chain fixed to his vest pocket. Where did one see that kind of man these days?-a man with the sharp melodious inflection of a British stage actor, and brilliant, ageless blue eyes.

The doctor had turned to him and said: "Yes, you're right about New Orleans, you certainly are. I saw a ghost myself in New Orleans, and not very long ago-" Then he had stopped, embarrassed. He had stared at the melted bourbon before him, the sharp refraction of light in the base of the crystal glass.

Hum of flies in summer; smell of medicine. That much Thorazine? Could there be some mistake?

But the Englishman had been respectfully curious. He'd invited the doctor to join him for dinner, said he collected such tales. For a moment, the doctor had been tempted. There was a lull in the convention, and he liked this man, felt an immediate trust in him. And the lobby of the Parker Meridien was a nice cheerful place, full of light, movement, people. So far away from that gloomy New Orleans corner, from the sad old city festering with secrets in its perpetual Caribbean heat.

But the doctor could not tell his story.

"If you ever change your mind, do call me," the Englishman had said. "My name is Aaron Lightner." He'd given the doctor a card with the name of an organization inscribed on it: "You might say we collect ghost stories-true ones, that is."

The Talamasca We watch And we are always here.

It was a curious motto.

Yes, that was what had brought it all back. The Englishman and that peculiar calling card with the European phone numbers, the Englishman who was leaving for the Coast tomorrow to see a California man who had lately drowned and been brought back to life. The doctor had read of that case in the New York papers-one of those characters who suffers clinical death and returns after having seen "the light."

They had talked about the drowned man together, he and the Englishman. "He claims now to have psychic powers, you see," said the Englishman, "and that interests us, of course. Seems he sees images when he touched things with his bare hands. We call it psychometry."

The doctor had been intrigued. He had heard of a few such patients himself, cardiac victims if he rightly recalled, who had come back, claiming to have seen the future. "Near Death Experience." One saw more and more articles about the phenomenon in the journals.

"Yes," Lightner had said, "the best research on the subject has been done by doctors-by cardiologists."

"Wasn't there a film a few years back," the doctor had asked, "about a woman who returned with the power to heal? Strangely affecting."

"You're open-minded on the subject," the Englishman had said with a delighted smile. Are you sure you won't tell me about your ghost? I'd so love to hear it. I'm not flying out till tomorrow, sometime before noon. What I wouldn't give to hear your story!"

No, not that story. Not ever.

Alone now in the shadowy hotel room, the doctor felt fear again. The clock ticked in the long dusty hallway in New Orleans. He heard the shuffle of his patient's feet as the nurse "walked" her. He smelled that smell again of a New Orleans house in the summer, heat and old wood. The man was talking to him-

The doctor had never been inside an antebellum mansion until that spring in New Orleans. And the old house rally did have white fluted columns on the front, though the paint was peeling away. Greek Revival style they called it-a long violet-gray town house on a dark shady corner in the Garden District, its front gate guarded it seemed by two enormous oaks. The iron lace railings were made in a rose pattern and much festooned with vines-purple wisteria, the yellow Virginia creeper, and bougainvillea of a dark, incandescent pink.

He liked to pause on the marble steps and look up at the Doric capitals, wreathed as they were by those drowsy fragrant blossoms. The sun came in thin dusty shafts through the twisting branches. Bees sang in the tangle of brilliant green leaves beneath the peeling cornices. Never mind that it was so somber here, so damp.

Even the approach through the deserted streets seduced him. He walked slowly over cracked and uneven sidewalks of herringbone brick or gray flagstone, under an unbroken archway of oak branches, the light eternally dappled, the sky perpetually veiled in green. Always he paused at the largest tree that had lifted the iron fence with its bulbous roots. He could not have gotten his arms around the trunk of it. It reached all the way from the pavement to the house itself, twisted limbs clawing at the shuttered windows beyond the banisters, leaves enmeshed with the flowering vines.

But the decay here troubled him nevertheless. Spiders wove their tiny intricate webs over the iron lace roses. In places the iron had so rusted that it fell away to powder at the touch. And here and there near the railings, the wood of the porches was rotted right through.

Then there was the old swimming pool far beyond the garden-a great long octagon bounded by the flagstones, which had become a swamp unto itself with its black water and wild irises. The smell alone was frightful. Frogs lived there, frogs you could hear at dusk, singing their grinding, ugly song. Sad to see the little fountain jets up one side and down the other still sending their little arching streams into the muck. He longed to drain it, clean it, scrub the sides with his own hands if he had to. Longed to patch the broken balustrade, and rip the weeds from the overgrown urns.

Even the elderly aunts of his patient-Miss Carl, Miss Millie, and Miss Nancy-had an air of staleness and decay. It wasn't a matter of gray hair or wire-rimmed glasses. It was their manner, and the fragrance of camphor that clung to their clothes.

Once he had wandered into the library and taken a book down from the shelf. Tiny black beetles scurried out of the crevice. Alarmed he had put the book back.

If there had been air-conditioning in the place it might have been different. But the old house was too big for that-or so they had said back then. The ceilings soared fourteen feet overhead. And the sluggish breeze carried with it the scent of mold.

His patient was well cared for, however. That he had to admit. A sweet old black nurse named Viola brought his patient out on the screened porch in the morning and took her in at evening.

"She's no trouble at all, Doctor. Now, you come on, Miss Deirdre, walk for the doctor." Viola would lift her out of the chair and push her patiently step by step.

"I've been with her seven years now, Doctor, she's my sweet girl."

Seven years like that. No wonder the old woman's feet had started to turn in at the ankles, and her arms to draw close to her chest if the nurse didn't force them down into her lap again.

Viola would walk her round and round the long double parlor, past the harp and the Bosendorfer grand layered with dust. Into the long broad dining room with its faded murals of moss-hung oaks and tilled fields.

Slippered feet shuffling on the worn Aubusson carpet. The woman was forty-one years old, yet she looked both ancient and young-a stooped and pale child, untouched by adult worry or passion. Deirdre, did you ever have a lover? Did you ever dance in that parlor?

(Continues...)

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Excerpted from "The Witching Hour" by Anne Rice. Copyright (C) 1993 by Anne Rice. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Amazon User Reviews

Amazon Rating Seductive, haunting...a novel that will stay with you Aug/02/2010

Being an avid Anne Rice fan I delved into this collection with both feet in. Truth-be-told....I enjoyed this more than the Vampire Chronicles (which I adore & treasure). Anne Rice hits home for me in this collection. It's seductive, haunting, it's a collection that stays with you. Michael has quickly become one of my favorite characters, as is Aaron Lightner. A must read. Not for the faint of heart. Definitely not for adolescents!!

by J.L Herrmann ()

Amazon Rating WAY TOO LONG. Jul/12/2010

Sigh. I have been trying to get through this book off and on for over a year and I'm begining to doubt it will ever happen. Mind you, it seems to be reasonably well written and a certain amount of suspense develops that keeps me interested, and the plot that is being hinted at seems intriguing enough...BUT for some ungodly reason the author feels the need to go on and on ad nauseum about the detailed history of this family of witches. I mean, HUNDREDS and HUNDREDS of pages of this uncle and that aunt, and this grandmother, and her mother's mother and some cousin and who lived at which address...and who really cares anymore? I got it. They're witches. A WHOLE family of witches. 10-4 good buddy, loud and clear. Now can we seriously get on with the plot? I mean, who has the time for this? I want to read a STORY. Not a boring historical account of characters who don't even exist. I can't even get through real history, why would I want to read fake history? I doubt I'll ever be able to make it through this book to find out the ending...or the...beginning? Because nothing has actually happened yet. But boy do I know a lot about aunt so and so and cousin who gives a rat's ass. Finshing this book has become such a tedious chore that is actually on my "to do" list. You know, along with cleaning out the attic and getting back into shape again and all those other things I'll probably never do. I don't want to completely trash the book because it seems like there could have been something there, but MY GOD the editor was asleep at the wheel on this one. From what I've read so far you could SERIOUSLY cut out more than half the book wasted on needless, endless descriptions about how, really, truly, the WHOLE family is witches. Every single one of them.

by Starry Eyes (Los Angeles CA)

Amazon Rating i was bewitched in the beginning..... Jun/28/2010

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...BUT I had a problem with a few things.

I like Anne Rice. Her style is engaging and she gives such vivid descriptions that it is addicting! You could smell the flora, feel the 'fleecey' hairs of a woman's.....well, you get the idea.

That was good but it does not justify the substance.

I found Rowan Mayfair a little too perfect. Okay, she is a surgeon with an interesting history she is not aware of. Makes for an interesting premise. It wasn't so bad until we got to the part where Rice gave Rowan to kill people with her thoughts. No skilled hand to hand combat, no skills with weapons, just her thoughts. When I saw that, I had an inkling in my stomach that Rice was going to give Rowan Mayfair preferential treatment when it came to characterization. It was nice seeing Rowan have some conflict, it gave us the readers something to relate to, something believable. This is before we get into when we find out that Rowan sleeps around with rugged men. Okay, we get it, Rowan is talented and hot. This is the part where I say that Rowan had some characteristics very reminiscent of a certain characterization pet peeve of mine and it rhymes with Terry Lou.

I have a confession to make. I originally read this book in Fall 2007.I stopped reading around page 300 because that is when the history of the Mayfairs started. This would go on for most of the book until around the last 150 pages-ish. The gist is that there is a spirit named Lasher who goes after prominent women in the Mayfair family and has sex with them. Sounds steamy and erotic but I will touch on Lasher in a bit. The reason why this part is so long is because Rice describes 12 members of the Mayfair family who have had encounters with the mysterious Lasher and each time, a little more of his secrets are revealed but not enough to satisfy the Talamasca. In my opinion, Aaron Lightner was robbed of the spotlight. I hate to say it but I think Rice wanted to write about idealized women who have sexy encounters with spirit. Oh and guess who is Lucky Number 13? Yep, that's right.

All in all, it was a beautifully written series but that does not excuse the poor ending or the fact that Rowan Mayfair was this annoying Mary Sue. I *TRIED* to forgive Anne Rice but when I started reading Lasher at Border's, I decided to give up on the Mayfair saga. I tried to read Lasher but ended up putting down the book in disgust because I could not stand the thirteen year old Mary Sue who sleeps with her distraught uncle.

by EvilClown (Hollywood, CA)

Amazon Rating a decent read Jun/16/2010

This particular book took a little of my "slogging" to get through it. When I sat down to read I would be interested for some period of time and then had to put it down and rad something else. All told, is was a good read but it took some effort on my part to get through it.

J. Robert Ewbank author "John Wesley, Natural Man, and the 'Isms'"

by It's Me (Mobile, Alabama)

Amazon Rating Excellent book! Jun/08/2010

This is one of the longest books I have ever read. It starts a little crazy, doing multiple stories at once of the different people involved, but when it finally comes together, it's impossible to put down.

by Teresa D. Matthews ()

Washington Post Review

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