"I see-" said the vampire thoughtfully, and slowly he walked across the
room towards the window. For a long time he stood there against the dim
light from Divisadero Street and the passing beams of traffic. The boy
could see the furnishings of the room more clearly now, the round oak
table, the chairs. A wash basin hung on one wall with a mirror. He set
his briefcase on the table and waited.
"But how much tape do you have with you?" asked the vampire, turning now
so the boy could see his profile. "Enough for the story of a life?"
"Sure, if it's a good life. Sometimes I interview as many as three or
four good people a night if I'm lucky. But it has to be a good story.
That's only fair, isn't it?"
"Admirably fair," the vampire answered. "I would like to tell you the
story of my life, then. I would like to do that very much."
"Great," said the boy. And quickly he removed a small tape recorder from
his brief case, making a check of the cassette and batteries. "I'm
really anxious to hear why you believe this, why you-"
"No," said the vampire abruptly. "We can't begin that way. Is your
"Yes," said the boy.
"Then sit down. I'm going to turn on the overhead light."
"But I thought vampires didn't like the light," said the boy. "If you
think the dark adds atmosphere-" But then he stopped. The vampire was
watching him with his back to the window. The boy could make out nothing
of his face now, and something about the still figure there distracted
him. He started to say something again but he said nothing. And then he
sighed with relief when the vampire moved towards the table and reached
for the overhead cord.
At once the room was flooded with a harsh yellow light. And the boy,
staring up at the vampire, could not repress a gasp. His fingers danced
backwards on the table to grasp the edge. "Dear God!" he whispered, and
then he gazed, speechless, at the vampire.
The vampire was utterly white and smooth, as if he were sculpted from
bleached bone, and his face was as seemingly inanimate as a statue,
except for two brilliant green eyes that looked down at the boy intently
like flames in a skull. But then the vampire smiled almost wistfully,
and the smooth white substance of his face moved with the infinitely
flexible but minimal lines of a cartoon. "Do you see?" he asked softly?
The boy shuddered, lifting his hand as if to shield himself from a
powerful light. His eyes moved slowly over the finely tailored black
coat he'd only glimpsed in the bar, the long folds of the cape, the
black silk tie knotted at the throat, and the gleam of the white collar
that was as white as the vampire's flesh. He stared at the vampire's
full black hair, the waves that were combed back over the tips of the
ears, the curls that barely touched the edge of the white collar.
"Now, do you still want the interview?" the vampire asked.
The boy's mouth was open before the sound came out. He was nodding. Then
he said, "Yes."
The vampire sat down slowly opposite him and, leaning forward, said
gently, confidentially, "Don't be afraid. Just start the tape."
And then he reached out over the length of the table. The boy recoiled,
sweat running down the sides of his face. The vampire clamped a hand on
the boy's shoulder and said, "Believe me, I won't hurt you. I want this
opportunity. It's more important to me than you can realize now. I want
you to begin." And he withdrew his hand and sat collected, waiting.
It took a moment for the boy to wipe his forehead and his lips with a
handkerchief, to stammer that the microphone was in the machine, to
press the button, to say that the machine was on.
"You weren't always a vampire, were you?" he began.
"No," answered the vampire. "I was a twenty-five-year-old man when I
became a vampire, and the year was seventeen ninety-one."
The boy was startled by the preciseness of the date and he repeated it
before he asked, "How did it come about?"
"There's a simple answer to that. I don't believe I want to give simple
answers," said the vampire. "I think I want to tell the real story-."
"Yes," the boy said quickly. He was folding his handkerchief over and
over and wiping his lips now with it again.
"There was a tragedy-" the vampire started. "It was my younger brother-.
He died." And then he stopped, so that the boy could clear his throat
and wipe at his face again before stuffing the handkerchief almost
impatiently into his pocket.
"It's not painful, is it?" he asked timidly.
"Does it seem so?" asked the vampire. "No." He shook his head. "It's
simply that I've only told this story to one other person. And that was
so long ago. No, it's not painful-.
"We were living in Louisiana then. We'd received a land grant and
settled two indigo plantations on the Mississippi very near New
"Ah, that's the accent-" the boy said softly.
For a moment the vampire stared blankly. "I have an accent?" He began to
And the boy, flustered, answered quickly. "I noticed it in the bar when
I asked you what you did for a living. It's just a slight sharpness to
the consonants, that's all. I never guessed it was French."
"It's all right," the vampire assured him. "I'm not as shocked as I
pretend to be. It's only that I forget it from time to time. But let me
"Please-" said the boy.
"I was talking about the plantations. They had a great deal to do with
it, really, my becoming a vampire. But I'll come to that. Our life there
was both luxurious and primitive. And we ourselves found it extremely
attractive. You see, we lived far better there than we could have ever
lived in France. Perhaps the sheer wilderness of Louisiana only made it
seem so, but seeming so, it was. I remember the imported furniture that
cluttered the house." The vampire smiled. "And the harpsichord; that was
lovely. My sister used to play it. On summer evenings, she would sit at
the keys with her back to the open French windows. And I can still
remember that thin, rapid music and the vision of the swamp rising
beyond her, the moss-hung cypresses floating against the sky. And there
were the sounds of the swamp, a chorus of creatures, the cry of the
birds. I think we loved it. It made the rosewood furniture all the more
precious, the music more delicate and desirable. Even when the wisteria
tore the shutters off the attic windows and worked its tendrils right
into the whitewashed brick in less that a year- Yes, we loved it. All
except my brother. I don't think I ever heard him complain of anything,
but I knew how he felt. My father was dead then, and I was head of the
family and I had to defend him constantly from my mother and sister.
They wanted to take him visiting, and to New Orleans for parties, but he
hated these things. I think he stopped going altogether before he was
twelve. Prayer was what mattered to him, prayer and his leatherbound
lives of the saints.
"Finally, I built him an oratory removed from the house, and he began to
spend most of every day there and often the early evening. It was
ironic, really. He was so different from us, so different from everyone,
and I was so regular! There was nothing extraordinary about me
whatsoever." The vampire smiled.
"Sometimes in the evening I would go out to him and find him in the
garden near the oratory, sitting absolutely composed on a stone bench
there, and I'd tell him my troubles, the difficulties I had with the
slaves, how I distrusted the overseer or the weather or my brokers- all
the problems that made up the length and breadth of my existence. And he
would always listen, making only a few comments, always sympathetic, so
that when I left him I had the distinct impression he had solved
everything for me. I didn't think I could deny him anything, and I vowed
that no matter how it would break my heart to lose him, he could enter
the priesthood when the time came. Of course, I was wrong." The vampire
For a moment the boy only gazed at him and then he started as if
awakened from a deep thought, and he floundered, as if he could not find
the right words. "Ah- he didn't want to be a priest?" the boy asked. The
vampire studied him as if trying to discern to meaning of his
expression. Then he said:
"I meant that I was wrong about myself, about my not denying him
anything." His eyes moved over the far wall and fixed on the panes of
the window. "He began to see visions."
"Real visions?" the boy asked, but again there was hesitation, as if he
were thinking of something else.
"I don't think so," the vampire answered. "It happened when he was
fifteen. He was very handsome then. He had the smoothest skin and the
largest blue eyes. He was robust, not thin as I am now and was then- but
his eyes- it was as if when I looked into his eyes I was standing alone
on the edge of the world- on a windswept ocean beach. There was nothing
but the soft roar of the waves.
Well," he said, his eyes still fixed on the window panes, "he began to
see visions. He only hinted at this at first, and he stopped taking his
meals altogether. He lived in the oratory. At any hour of day or night,
I could find him on the bare flagstones kneeling before the altar. And
the oratory itself was neglected. He stopped tending the candle or
changing the altar clothes or even sweeping out the leaves. One night I
became really alarmed when I stood in the rose arbor watching him for
one solid hour, during which he never moved from his knees and never
once lowered his arms, which he held outstretched in the form of a
cross. The slaves all thought he was mad." The vampire raised his
eyebrows in wonder. "I was convinced that he was only ... overzealous.
That in his love for God, he had perhaps gone too far. Then he told me
about the visions. Both St. Dominic and the Blessed Virgin Mary had come
to him in the oratory. They had told him he was to sell all our property
in Louisiana, everything we owned, and use the money to do God's work in
France. My brother was to be a great religious leader, to return the
country to its former fervor, to turn the tide against atheism and the
Revolution. Of course, he had no money of his own. I was to sell the
plantations and our town houses in New Orleans and give the money to
Again the vampire stopped. And the boy sat motionless regarding him,
astonished. "Ah- excuse me," he whispered. "What did you say? Did you
sell the plantations?"
"No," said the vampire, his face calm as it has been from the start. "I
laughed at him. And he- he became incensed. He insisted his command came
from the Virgin herself. Who was I to disregard it? Who indeed?" he
asked softly, as if he were thinking of this again. "Who indeed? And the
more he tried to convince me, the more I laughed. It was nonsense, I
told him, the product of an immature and even morbid mind. The oratory
was a mistake, I said to him; I would have it torn down at once. He
would go to school in New Orleans and get such inane notions out of his
head. I don't remember all that I said. But I remember the feeling.
Behind all this contemptuous dismissal on my part was a smoldering anger
and a disappointment. I was bitterly disappointed. I didn't believe him
"But that's understandable," said the boy quickly when the vampire
paused, his expression of astonishment softening. "I mean, would anyone
have believed him?"
"Is it so understandable?" The vampire looked at the boy. "I think
perhaps it was vicious egotism. Let me explain. I loved my brother, as I
told you, and at times I believed him to be a living saint. I encouraged
him in his prayer and mediations, as I said, and I was willing to give
him up to the priesthood. And if someone had told me of a saint in Arles
or Lourdes who saw visions, I would have believed it. I was a Catholic;
I believed in saints. I lit tapers before their statues in churches; I
know their pictures, their symbols, their names. But I didn't, I
couldn't believe my brother. Not only did I not believe he saw visions,
I wouldn't entertain the notion for a moment. Now, why? Because he was
my brother. Holy he might be, peculiar most definitely; but Francis of
Assisi, no. Not my brother. No brother of mine could be such. That is
egotism. Do you see?"
The boy thought about it before he answered and then he nodded and said
that yes, he thought that he did.
"Perhaps he saw the visions," said the vampire.
"Then you- you don't claim to know- now- whether he did or not?"
"No, but I do know that he never wavered in his conviction for a second.
That I know now and knew then the night he left my room crazed and
grieved. He never wavered for an instant. And within minutes, he was
Excerpted from "Interview with the Vampire" by Anne Rice. Copyright © 1991 by Anne Rice. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided solely for the personal use of visitors to this web site.