Cash isn't the only thing I take from my father's study when I leave
home. I take a small, old gold lighter-I like the design and feel of
it-and a folding knife with a really sharp blade. Made to skin deer, it
has a five-inch blade and a nice heft. Probably something he bought on
one of his trips abroad. I also take a sturdy, bright pocket flashlight
out of a drawer. Plus sky blue Revo sunglasses to disguise my age.
I think about taking my father's favorite Sea-Dweller Oyster Rolex. It's
a beautiful watch, but something flashy will only attract attention. My
cheap plastic Casio watch with an alarm and stopwatch will do just fine,
and might actually be more useful. Reluctantly, I return the Rolex to
From the back of another drawer I take out a photo of me and my older
sister when we were little, the two of us on a beach somewhere with
grins plastered across our faces. My sister's looking off to the side so
half her face is in shadow and her smile is neatly cut in half. It's
like one of those Greek tragedy masks in a textbook that's half one idea
and half the opposite. Light and dark. Hope and despair. Laughter and
sadness. Trust and loneliness. For my part I'm staring straight ahead,
undaunted, at the camera. Nobody else is there at the beach. My sister
and I have on swimsuits-hers a red floral-print one-piece, mine some
baggy old blue trunks. I'm holding a plastic stick in my hand. White
foam is washing over our feet.
Who took this, and where and when, I have no clue. And how could I have
looked so happy? And why did my father keep just that one photo? The
whole thing is a total mystery. I must have been three, my sister nine.
Did we ever really get along that well? I have no memory of ever going
to the beach with my family. No memory of going anywhere with
them. No matter, though-there is no way I'm going to leave that photo
with my father, so I put it in my wallet. I don't have any photos of my
mother. My father had thrown them all away.
After giving it some thought I decide to take the cell phone with me.
Once he finds out I've taken it, my father will probably get the phone
company to cut off service. Still, I toss it into my backpack, along
with the adapter. Doesn't add much weight, so why not. When it doesn't
work anymore I'll just chuck it.
Just the bare necessities, that's all I need. Choosing which clothes to
take is the hardest thing. I'll need a couple sweaters and pairs of
underwear. But what about shirts and trousers? Gloves, mufflers, shorts,
a coat? There's no end to it. One thing I do know, though. I don't want
to wander around some strange place with a huge backpack that screams
out, Hey, everybody, check out the runaway! Do that and someone
is sure to sit up and take notice. Next thing you know the police will
haul me in and I'll be sent straight home. If I don't wind up in some
Any place cold is definitely out, I decide. Easy enough, just choose the
opposite-a warm place. Then I can leave the coat and gloves
behind, and get by with half the clothes. I pick out wash-and-wear-type
things, the lightest ones I have, fold them neatly, and stuff them in my
backpack. I also pack a three-season sleeping bag, the kind that rolls
up nice and tight, toilet stuff, a rain poncho, notebook and pen, a
Walkman and ten discs-got to have my music-along with a spare
rechargeable battery. That's about it. No need for any cooking gear,
which is too heavy and takes up too much room, since I can buy food at
the local convenience store.
It takes a while but I'm able to subtract a lot of things from my list.
I add things, cross them off, then add a whole other bunch and cross
them off, too.
My fifteenth birthday is the ideal time to run away from home. Any
earlier and it'd be too soon. Any later and I would have missed my
During my first two years in junior high, I'd worked out, training
myself for this day. I started practicing judo in the first couple years
of grade school, and still went sometimes in junior high. But I didn't
join any school teams. Whenever I had the time I'd jog around the school
grounds, swim, or go to the local gym. The young trainers there gave me
free lessons, showing me the best kind of stretching exercises and how
to use the fitness machines to bulk up. They taught me which muscles you
use every day and which ones can only be built up with machines, even
the correct way to do a bench press. I'm pretty tall to begin with, and
with all this exercise I've developed pretty broad shoulders and pecs.
Most strangers would take me for seventeen. If I ran away looking my
actual age, you can imagine all the problems that would cause.
Other than the trainers at the gym and the housekeeper who comes to our
house every other day-and of course the bare minimum required to get by
at school-I barely talk to anyone. For a long time my father and I have
avoided seeing each other. We live under the same roof, but our
schedules are totally different. He spends most of his time in his
studio, far away, and I do my best to avoid him.
The school I'm going to is a private junior high for kids who are
upper-class, or at least rich. It's the kind of school where, unless you
really blow it, you're automatically promoted to the high school on the
same campus. All the students dress neatly, have nice straight teeth,
and are boring as hell. Naturally I have zero friends. I've built a wall
around me, never letting anybody inside and trying not to venture
outside myself. Who could like somebody like that? They all keep an eye
on me, from a distance. They might hate me, or even be afraid of me, but
I'm just glad they didn't bother me. Because I had tons of things to
take care of, including spending a lot of my free time devouring books
in the school library.
I always paid close attention to what was said in class, though. Just
like the boy named Crow suggested.
The facts and techniques or whatever they teach you in class isn't
going to be very useful in the real world, that's for sure. Let's face
it, teachers are basically a bunch of morons. But you've got to remember
this: you're running away from home. You probably won't have any chance
to go to school anymore, so like it or not you'd better absorb whatever
you can while you've got the chance. Become like a sheet of blotting
paper and soak it all in. Later on you can figure out what to keep and
what to unload.
I did what he said, like I almost always do. My brain like a sponge, I
focused on every word said in class and let it all sink in, figured out
what it meant, and committed everything to memory. Thanks to this, I
barely had to study outside of class, but always came out near the top
My muscles were getting hard as steel, even as I grew more withdrawn and
quiet. I tried hard to keep my emotions from showing so that no
one-classmates and teachers alike-had a clue what I was thinking. Soon
I'd be launched into the rough adult world, and I knew I'd have to be
tougher than anybody if I wanted to survive.
My eyes in the mirror are cold as a lizard's, my expression fixed and
unreadable. I can't remember the last time I laughed or even showed a
hint of a smile to other people. Even to myself.
I'm not trying to imply I can keep up this silent, isolated facade all
the time. Sometimes the wall I've erected around me comes crumbling
down. It doesn't happen very often, but sometimes, before I even realize
what's going on, there I am-naked and defenseless and totally confused.
At times like that I always feel an omen calling out to me, like a dark,
omnipresent pool of water.
A dark, omnipresent pool of water.
It was probably always there, hidden away somewhere. But when the time
comes it silently rushes out, chilling every cell in your body. You
drown in that cruel flood, gasping for breath. You cling to a vent near
the ceiling, struggling, but the air you manage to breathe is dry and
burns your throat. Water and thirst, cold and heat-these supposedly
opposite elements combine to assault you.
The world is a huge space, but the space that will take you in-and it
doesn't have to be very big-is nowhere to be found. You seek a voice,
but what do you get? Silence. You look for silence, but guess what? All
you hear over and over and over is the voice of this omen. And sometimes
this prophetic voice pushes a secret switch hidden deep inside your
Your heart is like a great river after a long spell of rain, full to the
banks. All signposts that once stood on the ground are gone, inundated
and carried away by that rush of water. And still the rain beats down on
the surface of the river. Every time you see a flood like that on the
news you tell yourself: That's it. That's my heart.
Before running away from home I wash my hands and face, trim my nails,
swab out my ears, and brush my teeth. I take my time, making sure my
whole body's well scrubbed. Being really clean is sometimes the most
important thing there is. I gaze carefully at my face in the mirror.
Genes I'd gotten from my father and mother-not that I have any
recollection of what she looked like-created this face. I can do my best
to not let any emotions show, keep my eyes from revealing anything, bulk
up my muscles, but there's not much I can do about my looks. I'm stuck
with my father's long, thick eyebrows and the deep lines between them. I
could probably kill him if I wanted to-I'm sure strong enough-and I can
erase my mother from my memory. But there's no way to erase the DNA they
passed down to me. If I wanted to drive that away I'd have to get rid of
There's an omen contained in that. A mechanism buried inside of me.
A mechanism buried inside of you.
I switch off the light and leave the bathroom. A heavy, damp stillness
lies over the house. The whispers of people who don't exist, the breath
of the dead. I look around, standing stock-still, and take a deep
breath. The clock shows three p.m., the two hands cold and distant.
They're pretending to be noncommittal, but I know they're not on my
side. It's nearly time for me to say good-bye. I pick up my backpack and
slip it over my shoulders. I've carried it any number of times, but now
it feels so much heavier.
Shikoku, I decide. That's where I'll go. There's no particular reason it
has to be Shikoku, only that studying the map I got the feeling that's
where I should head. The more I look at the map-actually every time I
study it-the more I feel Shikoku tugging at me. It's far south of Tokyo,
separated from the mainland by water, with a warm climate. I've never
been there, have no friends or relatives there, so if somebody started
looking for me-which I kind of doubt-Shikoku would be the last place
they'd think of.
I pick up the ticket I'd reserved at the counter and climb aboard the
night bus. This is the cheapest way to get to Takamatsu-just a shade
over ninety bucks. Nobody pays me any attention, asks how old I am, or
gives me a second look. The bus driver mechanically checks my ticket.
Only a third of the seats are taken. Most passengers are traveling
alone, like me, and the bus is strangely silent. It's a long trip to
Takamatsu, ten hours according to the schedule, and we'll be arriving
early in the morning. But I don't mind. I've got plenty of time. The bus
pulls out of the station at eight, and I push my seat back. No sooner do
I settle down than my consciousness, like a battery that's lost its
charge, starts to fade away, and I fall asleep.
Sometime in the middle of the night a hard rain begins to fall. I wake
up every once in a while, part the chintzy curtain at the window, and
gaze out at the highway rushing by. Raindrops beat against the glass,
blurring streetlights alongside the road that stretch off into the
distance at identical intervals like they were set down to measure the
earth. A new light rushes up close and in an instant fades off behind
us. I check my watch and see it's past midnight. Automatically shoved to
the front, my fifteenth birthday makes its appearance.
Hey, happy birthday, the boy named Crow says.
Thanks, I reply.
The omen is still with me, though, like a shadow. I check to make sure
the wallaround me is still in place. Then I close the curtain and fall
* * *
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Excerpted from "Kafka on the Shore" by Haruki Murakami. Copyright © 2006 by Haruki Murakami. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided solely for the personal use of visitors to this web site.