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White Noise (Contemporary American Fiction)

White Noise (Contemporary American Fiction)



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Chapter One


size="+2"> Chapter One >


The station wagons arrived at noon, a long shining line that coursed through the west campus. In single file they eased around the orange I-beam sculpture and moved toward the dormitories. The roofs of the station wagons were loaded down with carefully secured suitcases full of light and heavy clothing; with boxes of blankets, boots and shoes, stationery and books, sheets, pillows, quilts; with rolled-up rugs and sleeping bags; with bicycles, skis, rucksacks, English and Western saddles, inflated rafts. As cars slowed to a crawl and stopped, students sprang out and raced to the rear doors to begin removing the objects inside; the stereo sets, radios, personal computers; small refrigerators and table ranges; the cartons of phonograph records and cassettes; the hairdryers and styling irons; the tennis rackets, soccer balls, hockey and lacrosse sticks, bows and arrows; the controlled substances, the birth control pills and devices; the jurik food still in shopping bags—onion-and-garlic chips, nacho thins, peanut creme patties, Waffelos and Kabooms, fruit chews and toffee popcorn; the Dum-Dum pops, the Mystic mints.

    I've witnessed this spectacle every September for twenty-one years. It is a brilliant event, invariably. The students greet each other with comic cries and gestures of sodden collapse. Their summer has been bloated with criminal pleasures, as always. The parents stand sun-dazed near their automobiles, seeing images of themselves in every direction. The conscientious suntans. The well-made faces and wry looks. They feel a sense of renewal, of communal recognition. The women crisp and alert, in diet trim, knowing people's names. Their husbands content to measure out the time, distant but ungrudging, accomplished in parenthood, something about them suggesting massive insurance coverage. This assembly of station wagons, as much as anything they might do in the course of the year, more than formal liturgies or laws, tells the parents they are a collection of the like-minded and the spiritually akin, a people, a nation.

    I left my office and walked down the hill and into town. There are houses in town with turrets and two-story porches where people sit in the shade of ancient maples. There are Greek revival and Gothic churches. There is an insane asylum with an elongated portico, ornamented dormers and a steeply pitched roof topped by a pineapple finial. Babette and I and our children by previous marriages live at the end of a quiet street in what was once a wooded area with deep ravines. There is an expressway beyond the backyard now, well below us, and at night as we settle into our brass bed the sparse traffic washes past, a remote and steady murmur around our sleep, as of dead souls babbling at the edge of a dream.

    I am chairman of the department of Hitler studies at the College-on-the-Hill. I invented Hitler studies in North America in March of 1968. It was a cold bright day with intermittent winds out of the east. When I suggested to the chancellor that we might build a whole department around Hitler's life and work, he was quick to see the possibilities. It was an immediate and electrifying success. The chancellor went on to serve as adviser to Nixon, Ford and Carter before his death on a ski lift in Austria.

    At Fourth and Elm, cars turn left for the supermarket. A policewoman crouched inside a boxlike vehicle patrols the area looking for cars parked illegally, for meter violations, lapsed inspection stickers. On telephone poles all over town there are homemade signs concerning lost dogs and cats, sometimes in the handwriting of a child.

(Continues...)

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Excerpted from "White Noise" by Don DeLillo. Copyright (C) 1986 by Don DeLillo. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Amazon User Reviews

Amazon Rating Horrible Kindle experience at a rip-off price Aug/31/2010

DeLillo is one of the greatest American fiction writers, and "White Noise" is a magnificent novel. But don't buy the Kindle edition, which will completely destroy your reading experience. For some reason, the text loads to the device with a line space between every single paragraph.

That's right. A line space between every single paragraph. Like this.

And that means there's also a line space between every line of dialogue, even if a character speaks only a couple of words.

The result is so disorienting, and such an insult to the author, that I bought the physical book (not from Amazon, I might add). If you love literature, throw away your Kindle and buy real books from real bookstores. At $13 plus shipping, Kindle downloads aren't even a bargain any more.

by Joan Warner ()

Amazon Rating DeLillo Strikes again Aug/30/2010

_White Noise_ is Don DeLillo's most commonly read work for good reason. The text presents a curious and compelling mix of intellectual inquiry and humor. Indeed, the novel serves well as a primer on most things postmodern.

by Paul Knox (Reno, Nevada United States)

Amazon Rating What I Liked, What I Didn't Like Aug/02/2010

*DISCLAIMER* >>> I only read 140 pages of this book.

What I Liked:

-The sentences, their structure and variety.

What I Didn't Like:

-The post-modernism. The book seemed more concerned with critiquing society than [something having to do with the characters/being human].

by WEEATHERHEAD ()

Amazon Rating The static you hear is the book Jun/15/2010

There is an intelligent presence about White Noise, but to a fault. The characters converse in some sort of robotic cadence, often times so mechanical that you may question whether they are, in fact, human at all. I know; I get the idea that that is the "point" the author makes about society's detachedness, but still it makes for rather bland reading.

The novel makes a point to hit you over the head while satirizing consumerism, commercialism, slices of Americana, and the meandering superficial society we create. Often the things that aren't reality are often treated as if they are a reality. Consider the "most photographed barn", where people are so absorbed with an idea that they fail to take notice that what they see isn't really happening, that the barn isn't really there. However, this seems to translate to the format of the novel; the author seems to sporadically throw out ideas without fully exploring them. This occurs in random words of products, and even in its characters. Take Jack Gladney, the main character. He's a "hallow shell" of what he seems to really be. His obsession with death, which progresses more and more throughout the book, is unfounded because he has as much chance of dying as anyone else. He's given knowledge that he has been exposed to the toxins created by The Airborne Toxic Event, but the only definite is that he "could" die in up to thirty years. He's also more of a symbol than anything else; he teaches Hitler studies, and is supposed to be a success, but we never really learn about this study, what goes on at the university, etc. This is never explored, and he appears to be a fraud. He doesn't even know German, has to go to classes to try to learn for an upcoming Hitler seminar; in the end, he's just a title, a shell. While this may be part of the author's point, he doesn't present it in a way that makes one care one way or another; this book is really without a pulse at times, dead as its title indicates. There is nothing to draw you in; it is mostly just flat lines.

I'm divided in some respects, however. While reading DeLillo's novel, some of the various loony, strange situations were reminiscent of what one would find in a Vonnegut novel (The Cat's Cradle comes to mind). While Vonnegut might not be as "deep" as Delillo, he certainly is more enjoyable in my estimation. And, yet, there are a few funny situations and passages in White Noise. The chapter where Jack is certain that a figure sitting outside his porch is Death, only to find out it is Babette's father, is one of the most comical/entertaining. Her father, perhaps feeling as though Jack is not a "man's" man, gives Jack a gun for protection. Jack, whose Death obsession has taken hold of his psyche, seems to take this gun as a message from fate. Jack's self-described insecurities he feels when her father is around were amusing also. However, humorous moments are juxtaposed with stilted dialogue and narrative style that runs out of steam after awhile. It's so obsessed with own importance, and yet so alienating to readers, that it is a book hard to like.

While the book does have some merit, in the end the "idea" of the book is better than the actual read. The aspects of society are satirized, but in a very detached way. There are a few funny moments, but these are seldom, and the book's philosophical monologues by various characters (Murray, Jack, Jack's son) come to be overbearing and annoying by book's end. I'm glad I read it, but it is not a book I would soon go back to.

by fra7299 (California, United States)

Amazon Rating Prophetic Jun/07/2010

White Noise is quite a trip, I must say. DeLillo prophetically explores consumerism, mass hysteria, TV culture, mass media manipulation, drug frenzy and postmodern paranoia all in the context of an almost sitcom like setting. It's strange to recall that this novel, which deals with so many contemporary concerns, was written more than 20 years ago. The novel itself is humorous, sarcastic, and thought-provoking, just don't read too much at once or you'll get depressed.

by K. Floyd ()

Washington Post Review

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