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The Girl Who Kicked the Hornet's Nest

The Girl Who Kicked the Hornet's Nest

  • Author: Stieg Larsson
  • ISBN: 9780307269997
  • Publisher: Knopf
  • Amazon Rating: Amazon Rate
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Chapter One

Friday, April 8

Dr. Jonasson was woken by a nurse five minutes before the helicopter was expected to land. It was just before 1:30 in the morning.

"What?" he said, confused.

"Rescue Service helicopter coming in. Two patients. An injured man and a younger woman. The woman has a gunshot wound."

"All right," Jonasson said wearily.

Although he had slept for only half an hour, he felt groggy. He was on the night shift in the ER at Sahlgrenska hospital in Göteborg. It had been a strenuous evening.

By 12:30 the steady flow of emergency cases had eased off. He had made a round to check on the state of his patients and then gone back to the staff bedroom to try to rest for a while. He was on duty until 6:00, and seldom got the chance to sleep even if no emergency patients came in. But this time he had fallen asleep almost as soon as he turned out the light.

Jonasson saw lightning out over the sea. He knew that the helicopter was coming in the nick of time. All of a sudden a heavy downpour lashed at the window. The storm had moved in over Göteborg.

He heard the sound of the chopper and watched as it banked through the storm squalls down towards the helipad. For a second he held his breath when the pilot seemed to have difficulty controlling the aircraft. Then it vanished from his field of vision and he heard the engine slowing to land. He took a hasty swallow of his tea and set down the cup.

Jonasson met the emergency team in the admissions area. The other doctor on duty took on the first patient who was wheeled in-an elderly man with his head bandaged, apparently with a serious wound to the face. Jonasson was left with the second patient, the woman who had been shot. He did a quick visual examination: it looked like she was a teenager, very dirty and bloody, and severely wounded. He lifted the blanket that the Rescue Service had wrapped around her body and saw that the wounds to her hip and shoulder were bandaged with duct tape, which he considered a pretty clever idea. The tape kept bacteria out and blood in. One bullet had entered her hip and gone straight through the muscle tissue. He gently raised her shoulder and located the entry wound in her back. There was no exit wound: the round was still inside her shoulder. He hoped it had not penetrated her lung, and since he did not see any blood in the woman's mouth he concluded that probably it had not.

"Radiology," he told the nurse in attendance. That was all he needed to say.

Then he cut away the bandage that the emergency team had wrapped around her skull. He froze when he saw another entry wound. The woman had been shot in the head, and there was no exit wound there either.

Jonasson paused for a second, looking down at the girl. He felt dejected. He often described his job as being like that of a goalkeeper. Every day people came to his place of work in varying conditions but with one objective: to get help.

Jonasson was the goalkeeper who stood between the patient and Fonus Funeral Service. His job was to decide what to do. If he made the wrong decision, the patient might die or perhaps wake up disabled for life. Most often he made the right decision, because the vast majority of injured people had an obvious and specific problem. A stab wound to the lung or a crushing injury after a car crash were both particular and recognizable problems that could be dealt with. The survival of the patient depended on the extent of the damage and on Jonasson's skill.

There were two kinds of injury that he hated. One was a serious burn case, because no matter what measures he took the burns would almost inevitably result in a lifetime of suffering. The second was an injury to the brain.

The girl on the gurney could live with a piece of lead in her hip and a piece of lead in her shoulder. But a piece of lead inside her brain was a trauma of a wholly different magnitude. He was suddenly aware of the nurse saying something.

"Sorry. I wasn't listening."

"It's her."

"What do you mean?"

"It's Lisbeth Salander. The girl they've been hunting for the past few weeks, for the triple murder in Stockholm."

Jonasson looked again at the unconscious patient's face. He realized at once that the nurse was right. He and the whole of Sweden had seen Salander's passport photograph on billboards outside every newspaper kiosk for weeks. And now the murderer herself had been shot, which was surely poetic justice of a sort.

But that was not his concern. His job was to save his patient's life, irrespective of whether she was a triple murderer or a Nobel Prize winner. Or both.

Then the efficient chaos, the same in every ER the world over, erupted. The staff on Jonasson's shift set about their appointed tasks. Salander's clothes were cut away. A nurse reported on her blood pressure-100/70-while the doctor put his stethoscope to her chest and listened to her heartbeat. It was surprisingly regular, but her breathing was not quite normal.

Jonasson did not hesitate to classify Salander's condition as critical. The wounds in her shoulder and hip could wait until later, with a compress on each, or even with the duct tape that some inspired soul had applied. What mattered was her head. Jonasson ordered tomography with the new and improved CT scanner that the hospital had lately acquired.

Jonasson had a view of medicine that was at times unorthodox. He thought doctors often drew conclusions that they could not substantiate. This meant that they gave up far too easily; alternatively, they spent too much time at the acute stage trying to work out exactly what was wrong with the patient so as to decide on the right treatment. This was correct procedure, of course. The problem was that the patient was in danger of dying while the doctor was still doing his thinking.

But Jonasson had never before had a patient with a bullet in her skull. Most likely he would need a brain surgeon. He had all the theoretical knowledge required to make an incursion into the brain, but he did not by any means consider himself a brain surgeon. He felt inadequate, but all of a sudden he realized that he might be luckier than he deserved. Before he scrubbed up and put on his operating clothes he sent for the nurse.

"There's an American professor from Boston working at the Karolinska hospital in Stockholm. He happens to be in Göteborg tonight, staying at the Radisson on Avenyn. He just gave a lecture on brain research. He's a good friend of mine. Could you get the number?"

While Jonasson was still waiting for the X-rays, the nurse came back with the number of the Radisson. Jonasson picked up the phone. The night porter at the Radisson was very reluctant to wake a guest at that time of night and Jonasson had to come up with a few choice phrases about the critical nature of the situation before his call was put through.

"Good morning, Frank," Jonasson said when the call was finally answered. "It's Anders. Do you feel like coming over to Sahlgrenska to help out in a brain op?"

"Are you bullshitting me?" Dr. Frank Ellis had lived in Sweden for many years and was fluent in Swedish-albeit with an American accent- but when Jonasson spoke to him in Swedish, Ellis always replied in his mother tongue.

"The patient is in her mid-twenties. Entry wound, no exit."

"And she's alive?"

"Weak but regular pulse, less regular breathing, blood pressure one hundred over seventy. She also has a bullet wound in her shoulder and another in her hip. But I know how to handle those two."

"Sounds promising," Ellis said.

"Promising?"

"If somebody has a bullet in their head and they're still alive, that points to hopeful."

"I understand... Frank, can you help me out?"

"I spent the evening in the company of good friends, Anders. I got to bed at 1:00 and no doubt I have an impressive blood alcohol content."

"I'll make the decisions and do the surgery. But I need somebody to tell me if I'm doing anything stupid. Even a falling-down drunk Professor Ellis is several classes better than I could ever be when it comes to assessing brain damage."

"OK, I'll come. But you're going to owe me one."

"I'll have a taxi waiting outside by the time you get down to the lobby. The driver will know where to drop you, and a nurse will be there to meet you and get you scrubbed in."

"I had a patient a number of years ago, in Boston-I wrote about the case in the New England Journal of Medicine. It was a girl the same age as your patient here. She was walking to the university when someone shot her with a crossbow. The arrow entered at the outside edge of her left eyebrow and went straight through her head, exiting from almost the middle of the back of her neck."

"And she survived?"

"She looked like nothing on earth when she came in. We cut off the arrow shaft and put her head in a CT scanner. The arrow went straight through her brain. By all known reckoning she should have been dead, or at least suffered such massive trauma that she would have been in a coma."

"And what was her condition?"

"She was conscious the whole time. Not only that; she was terribly frightened, of course, but she was completely rational. Her only problem was that she had an arrow through her skull."

"What did you do?"

"Well, I got the forceps and pulled out the arrow and bandaged the wounds. More or less."

"And she lived to tell the tale?"

"Obviously her condition was critical, but the fact is we could have sent her home the same day. I've seldom had a healthier patient."

Jonasson wondered whether Ellis was pulling his leg.

"On the other hand," Ellis went on, "I had a forty-two-year-old patient in Stockholm some years ago who banged his head on a windowsill. He began to feel sick immediately and was taken by ambulance to the ER. When I got to him he was unconscious. He had a small bump and a very slight bruise. But he never regained consciousness and died after nine days in intensive care. To this day I have no idea why he died. In the autopsy report, we wrote brain haemorrhage resulting from an accident, but not one of us was satisfied with that assessment. The bleeding was so minor, and located in an area that shouldn't have affected anything else at all. And yet his liver, kidneys, heart, and lungs shut down one after the other. The older I get, the more I think it's like a game of roulette. I don't believe we'll ever figure out precisely how the brain works." He tapped on the X-ray with a pen. "What do you intend to do?"

"I was hoping you would tell me."

"Let's hear your diagnosis."

"Well, first of all, it seems to be a small-calibre bullet. It entered at the temple, and then stopped about four centimetres into the brain. It's resting against the lateral ventricle. There's bleeding there."

"How will you proceed?"

"To use your terminology, get some forceps and extract the bullet by the same route it went in."

"Excellent idea. I would use the thinnest forceps you have."

"It's that simple?"

"What else can we do in this case? We could leave the bullet where it is, and she might live to be a hundred, but it's also a risk. She might develop epilepsy, migraines, all sorts of complaints. And one thing you really don't want to do is drill into her skull and then operate a year from now when the wound itself has healed. The bullet is located away from the major blood vessels. So I would recommend that you extract it, but?..."

"But what?"

"The bullet doesn't worry me so much. She's survived this far and that's a good omen for her getting through having the bullet removed too. The real problem is here." He pointed at the X-ray. "Around the entry wound you have all sorts of bone fragments. I can see at least a dozen that are a couple of millimetres long. Some are embedded in the brain tissue. That's what could kill her if you're not careful."

"Isn't that part of the brain associated with numbers and mathematical capacity?" Jonasson said.

Ellis shrugged. "Mumbo jumbo. I have no idea what these particular grey cells are for. You can only do your best. You operate. I'll look over your shoulder."

Mikael Blomkvist looked up at the clock and saw that it was just after 3:00 in the morning. He was handcuffed and increasingly uncomfortable. He closed his eyes for a moment. He was dead tired but running on adrenaline. He opened them again and gave the policeman an angry glare. Inspector Thomas Paulsson had a shocked expression on his face. They were sitting at a kitchen table in a white farmhouse called Gosseberga, somewhere near Nossebro. Blomkvist had heard of the place for the first time less than twelve hours earlier.

There was no denying the disaster that had occurred.

"Imbecile," Blomkvist said.

"Now, you listen here-"

"Imbecile," Blomkvist said again. "I warned you he was dangerous, for Christ's sake. I told you that you would have to handle him like a live grenade. He's murdered at least three people with his bare hands and he's built like a tank. And you send a couple of village policemen to arrest him as if he were some Saturday night drunk."

Blomkvist shut his eyes again, wondering what else could go wrong that night.

He had found Lisbeth Salander just after midnight. She was very badly wounded. He had sent for the police and the Rescue Service.

The only thing that had gone right was that he had persuaded them to send a helicopter to take the girl to Sahlgrenska hospital. He had given them a clear description of her injuries and the bullet wound in her head, and some bright spark at the Rescue Service got the message.

Even so, it had taken over half an hour for the Puma from the helicopter unit in Säve to arrive at the farmhouse. Blomkvist had gotten two cars out of the barn. He switched on their headlights to illuminate a landing area in the field in front of the house.

The helicopter crew and two paramedics had proceeded in a routine and professional manner. One of the medics tended to Salander while the other took care of Alexander Zalachenko, known locally as Karl Axel Bodin. Zalachenko was Salander’s father and her worst enemy. He had tried to kill her, but he had failed. Blomkvist had found him in the woodshed at the farm with a nasty- looking gash—probably from an axe—in his face and some shattering damage to one of his legs which Blomkvist did not bother to investigate.

(Continues...)

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Excerpted from "The Girl Who Kicked the Hornet's Nest" by Stieg Larsson. Copyright (C) by Stieg Larsson. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

  • User Reviews
  • Washington Post Review

BookDaily User Reviews

thumper
thumper
The Girl Who Kicked The Hornet's Nest
May 23, 2010 02:05 EST
This section to me was very confusing as to the setting of events. I'm not sure that I would buy this book.

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Amazon User Reviews

Amazon Rating SAD TO SEE IT END Sep/07/2010

Great series beginning to end. I loved each book individually but this one was by far my favorite. It picks up immediatly after the last book ends and it dives right into the action, where as the first 2 books seemed to take a while longer to get going. This book follows multiple investigations of the same crime from all the different sides simutaneously. Constantly going back and forth from all the points of view. Which can sometimes be confusing but I felt it was done really well. I hated Dr Teleboria just as much as Lisbeth and I absoultely loved the scene in court when he finally gets whats coming to him! Great stuff.

The ending was only ok in my book... but maybe thats because I would rather the story didn't end :) I just felt that most of the action finished up a few chapters before the ending... so those last few pages just seemd to drag on for me.

There are rumors that Stieg's live in girlfreind is still writting the 4th and final book... not sure how much truth their is to that, but I really hope it is true. Only thing is, unlike the other 2 books, I didn't feel like much was left unresolved for a 4th story to continue on. The only thing that was never explained... and I would love to know more about was Lisbeth's twin sister. If a 4th book ever does coem out I hope to finally meet the mysterious twin.

by KML (Las Vegas, NV)

Amazon Rating Good book Sep/07/2010

This book followed in an excellent series! I thought it was a bit dryer than the first two, but still a great read!

by moviewizard926 ()

Amazon Rating Great Climax to a Great Trilogy Sep/06/2010

I did not want "The Girl Who Kicked The Hornet's Nest" to come to an end. How sad that the author Stieg Larsson, is not around so that we could anticipate his next novel.
Edith

by Edith Clifton ()

Amazon Rating GREAT FUN! Sep/06/2010

Most international bestsellers leave me cold, so I had a built-in prejudice against this trilogy. To be perfectly truthful, this is not a work of great literature. Yet it is a work of great storytelling. After finishing the first book of this series, I did not think that the author could sustain interest over two more lengthy books. But he did that remarkably well and, if anything, the last two books (including this one) were even more compelling than the first two. It's a cliche to call this book (and its companions) a pageturner, but that's what it is.

by Walter McTeague (Cambridge, Massachusetts)

Amazon Rating A fitting conclusion Sep/06/2010

This was a fitting conclusion to the trilogy. While not as complex as the first two books, it was a satisfying read in its own right. Without giving too much away. I loved the courtroom scenes near the end of the book--for readers who have faithfully followed the journey of Lisbeth Salander, they will be very much appreciated. It is a shame that we will see no more from Stieg Larsson.

by Omar (Elk Grove, CA USA)

Washington Post Review

<b>Stieg Larsson. Translated from the Swedish by Reg Keeland</b><br /> <i>Knopf</i><br /> ISBN 978 0 307 26999 7<br /> 563 pages<br /> $27.95<br /> <hr style="margin:5px 0px" size="1" width="100%" color="#dddddd" /> <i>Reviewed by Patrick Anderson, who regularly reviews thrillers and mysteries for The Washington Post</i> <p>Only now, with the publication of "The Girl Who Kicked the Hornet's Nest," the third novel in the late Stieg Larsson's immensely popular Millennium trilogy, can we fully appreciate the Swedish writer's achievement. The trilogy ranks among those novels that expand the horizons of popular fiction.</p> <p>In an amazing burst of creativity, Larsson wrote all three novels before he showed them to a publisher. Then in 2004 he died, of a heart attack at age 50, before the first was published. Each book can stand alone, but they are best considered as one long novel told in three installments, and no one should read them out of order. The first book, "The Girl With the Dragon Tattoo," is primarily a mystery about the disappearance of a young girl, but the next one, "The Girl Who Played With Fire," carries the story deep into the worlds of organized crime and political corruption. Larsson was a dedicated leftist, and ultimately his trilogy is best understood as a great, sprawling, angry political novel set in Sweden but confronting issues that resonate throughout the Western world.</p> <p>Larsson brought together two unlikely partners to be his heroes. Mikael Blomkvist is a crusading left-wing journalist (like his creator) and very much the ladies' man. He joins forces with the "girl" of the three titles, the fascinating Lisbeth Salander -- punk, rebel, introvert, peerless hacker -- who at the age of 12 was railroaded into a mental hospital and only with difficulty gained her freedom. Together, they solve the mystery of the missing young girl, but in the next two books, the forces that oppressed Lisbeth as a child continue to pursue her. Gradually, we learn that the mystery surrounding her life arises from her father's involvement with a secret government intelligence cell that has carried out assassinations and otherwise operated outside Swedish law. Lisbeth has information that could send the cell's leaders to prison, and they are therefore determined to silence her.</p> <p>As "The Girl Who Kicked the Hornet's Nest" begins, Lisbeth has a bullet in her brain, is in police custody and is charged with murder. For much of the novel, she is confined to a hospital as her enemies plot to have her sentenced to prison -- or, if that fails, killed -- even as Mikael fights to prove her innocence. I won't dwell on the specifics of the plot; suffice it to say that the novel fully lives up to the excellence of the previous two and that it brings the saga to a satisfactory conclusion.</p> <p>The interesting question is how these books, by an unknown Swedish journalist, came to be an international publishing sensation. (An estimated 40 million copies have been sold worldwide, and this American hardback edition has an announced first printing of 700,000.) There are, I think, three reasons for this success. The most obvious is the brilliance of Larsson's narrative. It's a rich, exciting, suspenseful story, with a huge cast, and involves us deeply in Lisbeth's fate, even as it carries us into all levels of Swedish society.</p> <p>Another reason for the trilogy's success is its political message. There are neo-Nazis, criminals and corporate villains in these books, but finally the enemy is corrupt government officials who wage war not only on individuals but on democracy itself. Readers throughout the world have recognized that rogue elements of government do operate in secret. To some degree, Larsson based his plot on real scandals in his own country, but the dangers he exposes are universal. Certainly, we in this country have seen more than our share of secret wars, secret arms deals, secret surveillance, secret assassination plots and secret torture.</p> <p>The third reason for the trilogy's appeal, I think, is its passionate attack on sexism. A friend of mine objected to a scene in which Lisbeth demonstrated almost superhuman powers as she escaped from what seemed certain death. It's true that her escape defied reason, if you took it literally, but I think it's unwise to take these books entirely literally. At the start of this third volume, out of the blue, Larsson tells us that "from antiquity to modern times, there are many stories of female warriors, of Amazons" and digresses on women warriors in history and myth. He is clearly (and perhaps unnecessarily) telling us that Lisbeth is not simply a lone woman who has been persecuted but a mythic figure, an avenger fighting on behalf of all women against oppression.</p> <p>The good people in these books -- including Mikael, Lisbeth and Mikael's longtime lover, Erika -- embrace consensual sex in all its manifestations: straight, gay, extramarital, serial, kinky, whatever. The villains are "men who hate women" (the title given the first novel in Sweden, but fortunately changed): rapists, child abusers, sex traffickers, even killers of women. Lisbeth -- abused and imprisoned as a child, raped as an adult -- hates those men and seeks revenge. Her nemesis in the second and third novels is a blond giant, a killer who is not terribly bright but terribly strong and, because of a freakish medical condition, unable to feel pain. This brute is Larsson's symbol of the world's enduring sexism, and ultimately the trilogy turns on whether Lisbeth can destroy this monster or he will destroy her.</p> <p>All this -- the political honesty, the rage at sexism, the suspense, the overpowering narrative, the focus on modern sexual mores, the sexual tension between Mikael and Lisbeth -- has made the Millennium trilogy (named for the magazine Mikael writes for) not only a runaway commercial success but perhaps the best, most broadly focused examination of modern politics in popular fiction. Drawing on a quarter-century as a journalist, Larsson tells Lisbeth's story against an ambitious panorama that encompasses the worlds of journalism, corporations, medicine, organized crime, government, police and the courts, and he also makes unlikely but informed digressions into such areas as boxing and the manufacture of toilets. To have written these three novels may have killed Larsson, but he left a monument behind, a modern masterpiece.</p>

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