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The Old Man and The Sea

The Old Man and The Sea

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Chapter One

from The Old Man and the Sea

He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish the boy's parents had told him that the old man was now definitely and finally salao, which is the worst form of unlucky, and the boy had gone at their orders in another boat which caught three good fish the first week. It made the boy sad to see the old man come in each day with his skiff empty and he always went down to help him carry either the coiled lines or the gaff and harpoon and the sail that was furled around the mast. The sail was patched with flour sacks and, furled, it looked like the flag of permanent defeat.

The old man was thin and gaunt with deep wrinkles in the back of his neck. The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.

Everything about him was old except his eyes and they were the same color as the sea and were cheerful and undefeated.

"Santiago," the boy said to him as they climbed the bank from where the skiff was hauled up. "I could go with you again. We've made some money."

The old man had taught the boy to fish and the boy loved him.

"No," the old man said. "You're with a lucky boat. Stay with them."

"But remember how you went eighty-seven days without fish and then we caught big ones every day for three weeks."

"I remember," the old man said. "I know you did not leave me because you doubted."

"It was papa made me leave. I am a boy and I must obey him."

"I know," the old man said. "It is quite normal."

"He hasn't much faith."

"No," the old man said. "But we have. Haven't we?"

"Yes," the boy said. "Can I offer you a beer on the Terrace and then we'll take the stuff home."

"Why not?" the old man said. "Between fishermen."

They sat on the Terrace and many of the fishermen made fun of the old man and he was not angry. Others, of the older fishermen, looked at him and were sad. But they did not show it and they spoke politely about the current and the depths they had drifted their lines at and the steady good weather and of what they had seen. The successful fishermen of that day were already in and had butchered their marlin out and carried them laid full length across two planks, with two men staggering at the end of each plank, to the fish house where they waited for the ice truck to carry them to the market in Havana. Those who had caught sharks had taken them to the shark factory on the other side of the cove where they were hoisted on a block and tackle, their livers removed, their fins cut off and their hides skinned out and their flesh cut into strips for salting.

When the wind was in the east a smell came across the harbour from the shark factory; but today there was only the faint edge of the odour because the wind had backed into the north and then dropped off and it was pleasant and sunny on the Terrace.

"Santiago," the boy said.

"Yes," the old man said. He was holding his glass and thinking of many years ago.

"Can I go out to get sardines for you for tomorrow?"

"No. Go and play baseball. I can still row and Rogelio will throw the net."

"I would like to go. If I cannot fish with you, I would like to serve in some way."

"You bought me a beer," the old man said. "You are already a man."

"How old was I when you first took me in a boat?"

"Five and you nearly were killed when I brought the fish in too green and he nearly tore the boat to pieces. Can you remember?"

"I can remember the tail slapping and banging and the thwart breaking and the noise of the clubbing. I can remember you throwing me into the bow where the wet coiled lines were and feeling the whole boat shiver and the noise of you clubbing him like chopping a tree down and the sweet blood smell all over me."

"Can you really remember that or did I just tell it to you?"

"I remember everything from when we first went together."

The old man looked at him with his sun-burned, confident loving eyes.

"If you were my boy I'd take you out and gamble," he said. "But you are your father's and your mother's and you are in a lucky boat."

"May I get the sardines? I know where I can get four baits too."

"I have mine left from today. I put them in salt in the box."

"Let me get four fresh ones."

"One," the old man said. His hope and his confidence had never gone. But now they were freshening as when the breeze rises.

"Two," the boy said.

"Two," the old man agreed. "You didn't steal them?"

"I would," the boy said. "But I bought these."

"Thank you," the old man said. He was too simple to wonder when he had attained humility. But he knew he had attained it and he knew it was not disgraceful and it carried no loss of true pride.

"Tomorrow is going to be a good day with this current," he said.

"Where are you going?" the boy asked.

"Far out to come in when the wind shifts. I want to be out before it is light."

"I'll try to get him to work far out," the boy said. "Then if you hook something truly big we can come to your aid."

"He does not like to work too far out."

"No," the boy said. "But I will see something that he cannot see such as a bird working and get him to come out after dolphin."

"Are his eyes that bad?"

"He is almost blind."

"It is strange," the old man said. "He never went turtle-ing. That is what kills the eyes."

"But you went turtle-ing for years off the Mosquito Coast and your eyes are good."

"I am a strange old man."

"But are you strong enough now for a truly big fish?"

"I think so. And there are many tricks."

Copyright © 1952 by Ernest Hemingway Copyright renewed © 1980 by Mary Hemingway

(Continues...)

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Excerpted from "The Old Man and the Sea" by Ernest Hemingway. Copyright (C) 1995 by Ernest Hemingway. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Amazon User Reviews

Amazon Rating I guess it depends on what you are looking to get out of it Jul/27/2010

"The Old Man and the Sea" by Ernest Hemingway

Santiago, an old man who has made his living fishing from an old skiff far out in the Gulf Stream has run into some bad luck of late. It has been many days since he has caught anything. Even the boy who had been helping him has been ordered by his father to work on another luckier boat. This isn't new to Santiago as he had previously gone 87 days without fish and caught plenty for many days to follow. Maybe his luck is about to turn again...

It would appear that for those who found great joy in "The Old Man and the Sea" found it in its allegorical aspect and the attempt by Hemingway to demonstrate a struggle of then modern man of biblical proportions. The actual story in and of itself is very simple as it relays the tale of an old man fighting the fish of his life after a long spell of bad luck.

The Good: In no way am I trying to discredit Mr. Hemmingway or "The Old Man and the Sea" or the merit of this book as a literary gem. Reading for me (for the most part) is about being entertained or connecting to the material in some way. I found this story to be a plodding story about a man trying to reel in a fish. I of course realize that the attempt was to demonstrate the struggle etc but as a story the book just didn't reel me in (pardon the pun).

The Bad: At the opposite end of the spectrum I didn't find "The Old Man and the Sea" to be a terrible read either. I just wasn't grabbed and pulled in either direction.

Overall: While I feel no more than luke warm about "The Old Man and the Sea" I think you should try it for yourself and see what you think. It is considered to be a literary master piece and is only slightly over 100 pages either way so it isn't a story that will demand hours of your time to complete.

by PAK (Atlanta)

Amazon Rating Love Goes to the Old Man, Santiago Jul/24/2010

Give me tales of unrequited love and I will weep, name you author of the decade; give me tales of overcoming tremendous challenges and I will cheer, name you author of the century. I am a sucker for hard-earned success and so are you. Aren't we all fishes in the sea lured by a story of triumph? Hemingway's novella is hard to dislike, but very easy to dismiss as simple because of its accessible style. The occasional description flashes out of a page, such "But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicate for the sea." But really, it's about the characterscharacters, people Hemingway has always been excellent at creating. The old man is crafted with enough believabilitydespite his unexplainable clairvoyancefor us to invest in his vicissitudes. I felt his victory as palpably as I did his tragedy. As for the boy: what do we do about the boy? It is hard to determine whether the boy possesses faux-complexityas do the characters in "Hills Like White Elephants"or true depth, as in the characters in "The Short Happy Life of Francis Macomber." I do suppose it is up to you to decide, as it should be.

The prose is easy to follow, so is the vocabulary. The symbols, however, are difficult to interpret as they allow for us to push meanings onto them. Are we to look deep or is a cigar a cigar? As all good literature, THE OLD MAN AND THE SEA offers multiple levels of analysis. A shallow reading is satisfyingit is a good storyand an allegorical reading is satisfying.

by Armantin Varona (Depends on the Time of Year, USA)

Amazon Rating Quintessential American Novella Jun/25/2010

The Old Man and the Sea is an iconic short novel by one of America's most recognizable twentieth-century authors - equal parts compelling narrative and profound universal truth. Hemingway spins a tale that can be taken in at face-value, read metaphorically, or interpreted philosophically. Essentially, it is a man-vs-nature tale, but as it deals primarily with the old man, it comes across a bit existential - not the pessimistic existentialism of someone, like say, Kafka, but the optimistic existentialism of someone who knows what he must do and does it, and although the old man might not be in control of the outcome, and might even expect it to end badly, he refuses to abandon his task. The work is short, and can be digested in a few hours, but oh, what a beautiful way to spend an afternoon.

by Adam L. Kopcinski ()

Amazon Rating Life is a struggle - good reminder! Apr/29/2010

Classic Hemingway - great story, depressing ending. This book was published in 1952 and was his last work of fiction to be produced and published in his lifetime. The success of this book was a significant factor in Hemingway's selection for the Nobel Prize in Literature in 1954. The book centers around an old Cuban fisherman named Santiago who has one of the great struggles against a giant marlin. For days he battles with this great fish and once he lands the prize and begins his journey back to land the story turns to his battle with the sharks who attack the great marlin which is strapped to the side of his little boat. Santiago does not win the battle with the sharks and returns home with only the skeleton of the great marlin in a quasi-victory to demonstrate not only his own personal achievement, but also the greatness of the sea itself.

by Worldview Director (Plano, TX USA)

Amazon Rating Amazing Imagery Apr/23/2010

I'm working my way through the list of Pulitzer Prize winners and this title is on both that list and the BEFL list. A double hitter!

Four Stars:

Can't say that I "like" Hemingway but few writers can match his imagery. That specific talent soars in this book.

Well, in this novella. I was surprised by how short it was when I first picked it up.

Santiago, a very old man in a fishing village has earned respect over his long life but he has been unsuccessful in bringing in fish for a very long time. He has a young protogee, Manolo, who is very fond of him. Manolo's family has made him leave Santiago's skiff work though because they wanted Manolo to actually get some fish. Manolo is very considerate of Santiago and, while obeying his family, manages to ensure that Santiago has food and is kept as warm as such proverty-stricken conditions allow.

One day, Santiago, alone in his skiff, decided to go further out on the sea to look for fish especially when he detected a large bird diving in a specific area - a sign that fish should be close. Hemingway's prose is gripping that describes this decision and the rowing and care for the lines as Santiago worked his way further out. A long wait and continual checking on the lines finally gives an indication that the decision was a correct one. One line is grabbed by what must be a huge fish, Santiago thinks. The fish is so large that he actually towed Santiago's skiff out further to sea. For three days and three nights, Santiago's skiff is towed but refuses to give up. Santiago must manage the lines, literally, with his bare hands (and his back.) That is the equipment used at the time - no automated assistance available in this time period. He is convinced the fish will tire and that will enable Santiago to capture him. Santiago, as opposed to Ahab, considers this great beast to be his brother. He regrets the need to kill him but believes that "his brother" understands the things in life and that he will provide nourishment to many people. The physical pain and injury that Santiago experiences and how he manages those obstacles was inspiring. Santiago felt proud of himself.

Santiago captured my heart with his humility and endurance. He is said, at the beginning of the story, to understand that he is humble in nature and doesn't question that. That humility is tested when after succeeding in capturing a fish of almost historically unmet size and weight, he has to fight off the sharks that want to take his prize. He loses that fight. He wonders if he really was happy about the catch because it would feed so many people or did pride, for once in his life, make him take chances that were so outrageous.

A true pyrrhic victory.

I was so impressed by how Hemingway wrote both the struggle with the fish and against the marauding sharks. I was so gripped by Santiago's discussions with himself about how he would handle his injuries so that he could continue to work toward capturing the fish and, again, defeating the sharks. I was so moved by how he kept wishing "the boy" was with him.

Without being heavy-handed with symbolism, Hemingway still makes the points of being reborn (3 days and 3 nights); that maturity of age and the energy of youth having equally valid strengths; that, on occasion, simply knowing that you won will just have to be enough.

The spoils of war are sometimes spoiled.

Enchanting read.

DL

by Dog Lover ()

Washington Post Review

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About the Book

The Old Man and the Sea is one of Hemingway's most enduring works. Told in language of great simplicity and power, it is the story of an old Cuban fisherman, down on his luck, and his supreme ordeal, a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Here Hemingway recasts, in strikingly contemporary style, the classic theme of courage in the face of defeat, of personal triumph won from loss.

Written in 1952, this hugely successful novella confirmed Hemingway's power and presence in the literary world and played a large part in his winning the 1954 Nobel Prize for Literature.


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