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In Cold Blood

In Cold Blood

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Chapter One

The Last to See Them Alive

THE village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call "out there." Some seventy miles east of the Colorado border, the countryside, with its hard blue skies and desert-clear air, has an atmosphere that is rather more Far West than Middle West. The local accent is barbed with a prairie twang, a ranch-hand nasalness, and the men, many of them, wear narrow frontier trousers, Stetsons, and high-heeled boots with pointed toes. The land is flat, and the views are awesomely extensive; horses, herds of cattle, a white cluster of grain elevators rising as gracefully as Greek temples are visible long before a traveler reaches them.

Holcomb, too, can be seen from great distances. Not that there is much to see-simply an aimless congregation of buildings divided in the center by the main-line tracks of the Santa Fe Railroad, a haphazard hamlet bounded on the south by a brown stretch of the Arkansas (pronounced "Ar-kan-sas") River, on the north by a highway, Route 50, and on the east and west by prairie lands and wheat fields. After rain, or when snowfalls thaw, the streets, unnamed, unshaded, unpaved, turn from the thickest dust into the direst mud. At one end of the town stands a stark old stucco structure, the roof of which supports an electric sign-DANCE-but the dancing has ceased and the advertisement has been dark for several years. Nearby is another building with an irrelevant sign, this one in flaking gold on a dirty window-HOLCOMB BANK. The bank closed in 1933, and its former counting rooms have been converted into apartments. It is one of the town's two "apartment houses," the second being a ramshackle mansion known, because a good part of the local school's faculty lives there, as the Teacherage. But the majority of Holcomb's homes are one-story frame affairs, with front porches.

Down by the depot, the postmistress, a gaunt woman who wears a rawhide jacket and denims and cowboy boots, presides over a falling-apart post office. The depot itself, with its peeling sulphur-colored paint, is equally melancholy; the Chief, the Super-Chief, the El Capitan go by every day, but these celebrated expresses never pause there. No passenger trains do-only an occasional freight. Up on the highway, there are two filling stations, one of which doubles as a meagerly supplied grocery store, while the other does extra duty as a café-Hartman's Café, where Mrs. Hartman, the proprietress, dispenses sandwiches, coffee, soft drinks, and 3.2 beer. (Holcomb, like all the rest of Kansas, is "dry.")

And that, really, is all. Unless you include, as one must, the Holcomb School, a good-looking establishment, which reveals a circumstance that the appearance of the community otherwise camouflages: that the parents who send their children to this modern and ably staffed "consolidated" school-the grades go from kindergarten through senior high, and a fleet of buses transport the students, of which there are usually around three hundred and sixty, from as far as sixteen miles away-are, in general, a prosperous people. Farm ranchers, most of them, they are outdoor folk of very varied stock-German, Irish, Norwegian, Mexican, Japanese. They raise cattle and sheep, grow wheat, milo, grass seed, and sugar beets. Farming is always a chancy business, but in western Kansas its practitioners consider themselves "born gamblers," for they must contend with an extremely shallow precipitation (the annual average is eighteen inches) and anguishing irrigation problems. However, the last seven years have been years of droughtless beneficence. The farm ranchers in Finney County, of which Holcomb is a part, have done well; money has been made not from farming alone but also from the exploitation of plentiful natural-gas resources, and its acquisition is reflected in the new school, the comfortable interiors of the farmhouses, the steep and swollen grain elevators.

Until one morning in mid-November of 1959, few Americans-in fact, few Kansans-had ever heard of Holcomb. Like the waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama, in the shape of exceptional happenings, had never stopped there. The inhabitants of the village, numbering two hundred and seventy, were satisfied that this should be so, quite content to exist inside ordinary life-to work, to hunt, to watch television, to attend school socials, choir practice, meetings of the 4-H Club. But then, in the earliest hours of that morning in November, a Sunday morning, certain foreign sounds impinged on the normal nightly Holcomb noises-on the keening hysteria of coyotes, the dry scrape of scuttling tumbleweed, the racing, receding wail of locomotive whistles. At the time not a soul in sleeping Holcomb heard them-four shotgun blasts that, all told, ended six human lives. But afterward the townspeople, theretofore sufficiently unfearful of each other to seldom trouble to lock their doors, found fantasy re-creating them over and again-those somber explosions that stimulated fires of mistrust in the glare of which many old neighbors viewed each other strangely, and as strangers.

THE master of River Valley Farm, Herbert William Clutter, was forty-eight years old, and as a result of a recent medical examination for an insurance policy, knew himself to be in first-rate condition. Though he wore rimless glasses and was of but average height, standing just under five feet ten, Mr. Clutter cut a man's-man figure. His shoulders were broad, his hair had held its dark color, his square-jawed, confident face retained a healthy-hued youthfulness, and his teeth, unstained and strong enough to shatter walnuts, were still intact. He weighed a hundred and fifty-four-the same as he had the day he graduated from Kansas State University, where he had majored in agriculture. He was not as rich as the richest man in Holcomb-Mr. Taylor Jones, a neighboring rancher. He was, however, the community's most widely known citizen, prominent both there and in Garden City, the close-by county seat, where he had headed the building committee for the newly completed First Methodist Church, an eight-hundred-thousand-dollar edifice. He was currently chairman of the Kansas Conference of Farm Organizations, and his name was everywhere respectfully recognized among Midwestern agriculturists, as it was in certain Washington offices, where he had been a member of the Federal Farm Credit Board during the Eisenhower administration.

Always certain of what he wanted from the world, Mr. Clutter had in large measure obtained it. On his left hand, on what remained of a finger once mangled by a piece of farm machinery, he wore a plain gold band, which was the symbol, a quarter-century old, of his marriage to the person he had wished to marry-the sister of a college classmate, a timid, pious, delicate girl named Bonnie Fox, who was three years younger than he. She had given him four children-a trio of daughters, then a son. The eldest daughter, Eveanna, married and the mother of a boy ten months old, lived in northern Illinois but visited Holcomb frequently. Indeed, she and her family were expected within the fortnight, for her parents planned a sizable Thanksgiving reunion of the Clutter clan (which had its beginnings in Germany; the first immigrant Clutter-or Klotter, as the name was then spelled-arrived here in 1880); fifty-odd kinfolk had been asked, several of whom would be traveling from places as far away as Palatka, Florida. Nor did Beverly, the child next in age to Eveanna, any longer reside at River Valley Farm; she was in Kansas City, Kansas, studying to be a nurse. Beverly was engaged to a young biology student, of whom her father very much approved; invitations to the wedding, scheduled for Christmas Week, were already printed. Which left, still living at home, the boy, Kenyon, who at fifteen was taller than Mr. Clutter, and one sister, a year older-the town darling, Nancy.

In regard to his family, Mr. Clutter had just one serious cause for disquiet-his wife's health. She was "nervous," she suffered "little spells"-such were the sheltering expressions used by those close to her. Not that the truth concerning "poor Bonnie's afflictions" was in the least a secret; everyone knew she had been an on-and-off psychiatric patient the last half-dozen years. Yet even upon this shadowed terrain sunlight had very lately sparkled. The past Wednesday, returning from two weeks of treatment at the Wesley Medical Center in Wichita, her customary place of retirement, Mrs. Clutter had brought scarcely credible tidings to tell her husband; with joy she informed him that the source of her misery, so medical opinion had at last decreed, was not in her head but in her spine-it was physical, a matter of misplaced vertebrae. Of course, she must undergo an operation, and afterward-well, she would be her "old self" again. Was it possible-the tension, the withdrawals, the pillow-muted sobbing behind locked doors, all due to an out-of-order backbone? If so, then Mr. Clutter could, when addressing his Thanksgiving table, recite a blessing of unmarred gratitude.

Ordinarily, Mr. Clutter's mornings began at six-thirty; clanging milk pails and the whispery chatter of the boys who brought them, two sons of a hired man named Vic Irsik, usually roused him. But today he lingered, let Vic Irsik's sons come and leave, for the previous evening, a Friday the thirteenth, had been a tiring one, though in part exhilarating. Bonnie had resurrected her "old self"; as if serving up a preview of the normality, the regained vigor, soon to be, she had rouged her lips, fussed with her hair, and, wearing a new dress, accompanied him to the Holcomb School, where they applauded a student production of Tom Sawyer, in which Nancy played Becky Thatcher. He had enjoyed it, seeing Bonnie out in public, nervous but nonetheless smiling, talking to people, and they both had been proud of Nancy; she had done so well, remembering all her lines, and looking, as he had said to her in the course of backstage congratulations, "Just beautiful, honey-a real Southern belle." Whereupon Nancy had behaved like one; curtsying in her hoop-skirted costume, she had asked if she might drive into Garden City. The State Theatre was having a special, eleven-thirty, Friday-the-thirteenth "Spook Show," and all her friends were going. In other circumstances Mr. Clutter would have refused. His laws were laws, and one of them was: Nancy-and Kenyon, too-must be home by ten on week nights, by twelve on Saturdays. But weakened by the genial events of the evening, he had consented. And Nancy had not returned home until almost two. He had heard her come in, and had called to her, for though he was not a man ever really to raise his voice, he had some plain things to say to her, statements that concerned less the lateness of the hour than the youngster who had driven her home-a school basketball hero, Bobby Rupp.

Mr. Clutter liked Bobby, and considered him, for a boy his age, which was seventeen, most dependable and gentlemanly; however, in the three years she had been permitted "dates," Nancy, popular and pretty as she was, had never gone out with anyone else, and while Mr. Clutter understood that it was the present national adolescent custom to form couples, to "go steady" and wear "engagement rings," he disapproved, particularly since he had not long ago, by accident, surprised his daughter and the Rupp boy kissing. He had then suggested that Nancy discontinue "seeing so much of Bobby," advising her that a slow retreat now would hurt less than an abrupt severance later-for, as he reminded her, it was a parting that must eventually take place. The Rupp family were Roman Catholics, the Clutters, Methodist-a fact that should in itself be sufficient to terminate whatever fancies she and this boy might have of some day marrying. Nancy had been reasonable-at any rate, she had not argued-and now, before saying good night, Mr. Clutter secured from her a promise to begin a gradual breaking off with Bobby.

Still, the incident had lamentably put off his retiring time, which was ordinarily eleven o'clock. As a consequence, it was well after seven when he awakened on Saturday, November 14, 1959. His wife always slept as late as possible. However, while Mr. Clutter was shaving, showering, and outfitting himself in whipcord trousers, a cattleman's leather jacket, and soft stirrup boots, he had no fear of disturbing her; they did not share the same bedroom. For several years he had slept alone in the master bedroom, on the ground floor of the house-a two-story, fourteen-room frame-and-brick structure. Though Mrs. Clutter stored her clothes in the closets of this room, and kept her few cosmetics and her myriad medicines in the blue-tile-and-glass-brick bathroom adjoining it, she had taken for serious occupancy Eveanna's former bedroom, which, like Nancy's and Kenyon's rooms, was on the second floor.

The house-for the most part designed by Mr. Clutter, who thereby proved himself a sensible and sedate, if not notably decorative, architect-had been built in 1948 for forty thousand dollars. (The resale value was now sixty thousand dollars.) Situated at the end of a long, lanelike driveway shaded by rows of Chinese elms, the handsome white house, standing on an ample lawn of groomed Bermuda grass, impressed Holcomb; it was a place people pointed out. As for the interior, there were spongy displays of liver-colored carpet intermittently abolishing the glare of varnished, resounding floors; an immense modernistic living-room couch covered in nubby fabric interwoven with glittery strands of silver metal; a breakfast alcove featuring a banquette upholstered in blue-and-white plastic. This sort of furnishing was what Mr. and Mrs. Clutter liked, as did the majority of their acquaintances, whose homes, by and large, were similarly furnished.

Other than a housekeeper who came in on weekdays, the Clutters employed no household help, so since his wife's illness and the departure of the elder daughters, Mr. Clutter had of necessity learned to cook; either he or Nancy, but principally Nancy, prepared the family meals. Mr. Clutter enjoyed the chore, and was excellent at it-no woman in Kansas baked a better loaf of salt-rising bread, and his celebrated coconut cookies were the first item to go at charity cake sales-but he was not a hearty eater; unlike his fellow-ranchers, he even preferred Spartan breakfasts. That morning an apple and a glass of milk were enough for him; because he touched neither coffee or tea, he was accustomed to begin the day on a cold stomach. The truth was he opposed all stimulants, however gentle.

(Continues...)

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Excerpted from "In Cold Blood" by Truman Capote. Copyright (C) 1994 by Truman Capote. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Amazon User Reviews

Amazon Rating A tour de force Jul/19/2010

Truman Capote's gripping account of the savage murder of four members of the farming Clutter family on November 15, 1959, by Dick Hickock and Perry Smith was rightly hailed as a masterpiece of American literature. It was a departure for Capote who was an established and internationally successful writer when he began what was termed a 'non-fiction novel', or documentary essay, which he so vividly developed and recounted of the events leading up to the eventual tragedy, first by introducing us to the Clutter family from Holcomb on the wheat plains of western Kansas, with some detail and intimacy, then a glimpse of Perry Smith waiting for his friend, Dick, whom he had met in gaol. He is described as a short, powerful, dark haired 32 year old, with Indian ancestry on his mother's side. It becomes apparent that some nefarious plan has been hatched between the two men. They drive away when Dick arrives, with Perry's beloved guitar on the back seat of the 1949 black Chevrolet sedan. Both are misfits from broken homes, and Perry suffers from headaches and continually overdoses himself on anelgesics. He also has a violent temper.

Capote became intimately involved in the drama after the arrest and trial of Smith and Hickock, their sentence of death, and the long drawn out appeal process. He visited Holcomb, became friendly with the participnants, and in particular the local sheriff. He also became intimately involved with Dick and Perry, particularly the latter, for whom he developed an emotional attachment, and was traumatically affected by their eventual execution.

In Cold Blood was a complete departure for the writer of such sophisticated pieces as 'Breakfast at Tiffany's', and 'Other Voices, Other Rooms' - and for someone who loved the company of beautiful society women, and was a compulsive gossip. The structure and masterly development of 'In Cold Blood' is a fascinating and extraordinary achievement by a superb writer, and remains a modern day classic.The Learning Process: Some Creative Impressions

by Kenneth Walter Simpson ()

Amazon Rating A True Classic Jun/07/2010

This is the story of two drifters who murdered a prominent Kansas farmer and his family in 1959.

But this story is about much more. It's famous (many others have written about it), and it started the so-called non-fiction true crime drama.

So what more can I add?

This is one of the books that I have in my permanent collection and that I take out every six months, not for the subject matter necessarily, but to remind me how beautiful the English language can be in the hands of a master.

There are sentences you and I couldn't repeat. For instance: "The cider-tart odor of spoiling apples. Apple trees and pear trees, peach and cherry: Mr. Clutter's orchard, the treasured assembly of fruit trees he had planted." He was later killed by the "boys."

Would you find that in a Grisham book?

About the murderers regretting their crime:

"Mountains. Hawks wheeling in a white sky.
When Perry asked Dick, "Know what I think?....I think there must be something wrong with us."

There isn't a single missed note in this book. And an umabigious take on the death penalty. Do yourself a favor. Read the book.

The book is all of 343 pages. You'll be richer for reading the book. And we're all poorer for losing such a talented author at age 59.

by Dennis ()

Amazon Rating A spectacular true crime novel May/18/2010

This book is spectacular. When a friend loaned it to me, I made a commitment not to watch Capote or do online research to determine accuracy and context, so I approached the book with a blissful ignorance. Capote does a masterful job in this groundbreaking (I believe) work, skillfully weaving together quotes and facts from a variety of sources while remaining mostly outside of the action (there are a couple of moments in the last twenty pages in which Capote mentions that he is physically interviewing the two prisoners).

This is, at a basic level, a true crime novel. Two men murder a family of four and disappear almost without a trace. Capote details the subsequent investigations, court proceedings, and aftermath, and his writing is solid and mostly objective throughout. In the early pages, when Capote pieces together scenes of daily life in the small Kansas town before the murders, he drifts into unchecked poetry or unbecoming condescension, but after the bodies are discovered, Capote's writing takes on a much more professional tone.

For a reader in 2010, this is also a surprising history book about small-town Kansas in 1959. Women play inescapably minor roles, and discussions about the death penalty take for granted that all local Christians would be opposed to capital punishment. In fact, the defense attorneys basically assume that all of the jurors are Christians and use that as their basis for pleas for mercy, while the prosecutor stuns the courtroom by pulling out a Bible and using other passages to justify his stance. Lawyers will also be interested in the severe restrictions imposed on any attempt at an insanity defense, and I expect that psychologists and psychiatrists will be amused at some of Capote's observations on the exciting advancements in forensic psychology.

This is a terrific book, both as a history and as a gripping and satisfying narrative. It examines violence without being needlessly graphic, and Capote ties everything into the larger web of the local farm community to give everything the appropriate context. I highly recommend In Cold Blood.

by Kurt Conner (South Hadley, MA USA)

Amazon Rating Breathtaking! May/16/2010

If you read the first paragraph of Truman Capote's "In Cold Blood" it may seem at first to just be a descriptive opening for the book until you read it again. Those opening lines can almost be scanned as poetry because Capote has breathed his life, his unique talent into them and as you read on, you'll see all the words of this true crime story transcend ordinary writing. It is the difference between a great writer and a mediocre one, that special life-breath, that rare life- force that is the hallmark of only a few. Writing sublimely is a gift that cannot be acquired, it is incorporated in the genes. It's there, from the moment of birth. And Truman Capote had it.

by P. B. Sharp (Las Cruces, NM)

Amazon Rating Great Book May/15/2010

I purchased this book In Cold Book by Truman Capote. This was by far the best I have in my short life and it is most the best book Capote has written yet. I take public transportation when I need to get around and everytime I had that book on me on the bus or the max(portlands train)people would approach me and comment on how great the book is and how much they enjoyed reading it. I was not aware that this was capotes last book because this book had taken so much out of him and really messed with mind. I enjoyed the book and reccomend to anyone that likes to read. Non Fiction murder books are the best if you ask me.
Ryan G.
Portland,OR

by Ryan G. (P-town,OR)

Washington Post Review

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About the Book

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.

As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence.


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