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Banjo For Dummies

Banjo For Dummies

By  Bill Evans

Publisher  For Dummies

ISBN  9780470127629

Published in  Entertainment, Reference

eBook  Kindle Edition

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Sample Chapter


Chapter One

First Steps: Banjo Basics

In This Chapter

* Getting to know different kinds of banjos

* Exploring the banjo and all its parts

* Discovering how to be a good player

If you take a trip, you'd probably like to know where you're going (after all, you don't want to end up like those guys in that Deliverance movie, do you?). If you're new to the banjo and don't yet own an instrument or if you're wondering about your eventual musical destination, this chapter is definitely the place to start your Banjo For Dummies trip. The key is in the ignition, so put this thing in drive!

In this chapter, you spread out your banjo road map and start planning what I hope will be a wonderful, lifelong musical journey with the five-string banjo. I discuss what makes the five-string banjo different from other kinds of stringed instruments, and you can also take a look at the various kinds of banjos available today. I name the parts of the banjo and summarize the musical skills you can master in this book on the way to becoming a good player.

Getting into Banjo

Something about the five-string banjo brings out strong feelings in people. Folks who like the banjo usually really like it. What is it about this instrument that inspires such passion, and how can you tell if you've been bitten by the banjo bug? This section explores the answer to these questions.

Loving that amazing sound

You know the sound of the banjo when you hear it: the bright, rhythmic waterfall of short, cascading notes that can conjure up just about any emotion (but usually happy first comes to mind for the typical guy on the street). The banjo is usually associated with folk, country, and bluegrass music, but these days, you can also hear the instrument in jazz, rock, and even classical settings.

Over the years, I've asked hundreds of amateur and professional players why they initially got interested in the instrument and the usual answer is "I fell in love with the sound." I think an equal attraction is the lure of hearing a lot of notes compressed into what seems like the smallest of musical spaces. In the hands of a skilled player, the banjo is an instrument that's capable of amazing virtuosity.

Becoming a true believer

Banjo players usually remember well the precise moment in time that they became hooked on the instrument. For me, growing up as a suburban teenager far from significant hills of any kind, that moment was when I was watching Roy Clark play banjo on Hee Haw and thinking to myself, "If I can somehow sit through this show every week, I think I can eventually learn 'Cripple Creek.'" I didn't especially like country music at that time, and I'd never heard of folk or bluegrass music - but I really loved the sound of the banjo.

Growing up in the 1970s, I could also hear the banjo as a background instrument on hit songs from the Eagles, the Doobie Brothers, Neil Young, and James Taylor. Hearing the banjo in these contexts made me believe that the banjo must be cool if those musicians used it on their recordings, despite what my friends thought about this disturbing turn in my musical tastes. And, of course, I was also influenced by the popularity of "Dueling Banjos" during these years (I didn't realize until years later who was depicted playing the instrument in this movie). I already knew a little about playing the guitar, and I decided that I wanted to try and teach myself to play banjo.

After enrolling in a community college beginners' banjo class, I discovered an entire musical subculture of folk and bluegrass music where the banjo was not only welcome, but was also pretty much the most revered instrument of them all. Getting to know others who felt the same way as I did about the banjo really helped to get me hooked.

Almost 40 years later, I'm happy to report that the banjo is more popular than ever. Musicians have continued to push the musical boundaries of the instrument, and these days, about the only folks who think the banjo is good for just one musical style are those television producers who still insist on having banjo music in the background of their pickup truck commercials.

My own youthful enthusiasm for the banjo evolved into a wonderful lifelong relationship that is still growing strong. I get a joyful feeling every time I play a tune on the banjo. I'm also amazed at how my love for the instrument has opened the door to many new and wonderful experiences (such as graduate school, international touring and teaching, and this book!) and is at the basis of many of my most cherished friendships. Even if you never become as obsessed about the banjo as I am, I believe that the banjo can improve your life and make you a happier person if you give it the chance.

Identifying Different Kinds of Banjos

Banjo For Dummies is your complete guide to musical adventure on the five-string banjo. I focus on the five-string banjo because this instrument is by far the most popular type of banjo being played today and is the kind of banjo that is used to play bluegrass, folk, and country music. The five-string banjo is also currently carving new niches in jazz, rock, and classical music.

However, in the first half of the 20th century, the most popular banjos were four-string tenor and plectrum banjos. These banjos are really different instruments and shouldn't be confused with the five-string banjo. Understanding the differences between banjos is important, because before you begin your adventure, you need to make sure you're traveling with the right kind of equipment.

In the following sections, I compare and contrast the different instruments in the banjo family, so you don't mistake one type of banjo for another.

Five-string banjo: The subject of the book

The short 5th string is what makes the five-string banjo different from other types of banjos and from just about every other instrument in the known universe. Most of the time, you know immediately that you're looking at a five-string banjo when you see a tuning peg (a geared mechanism that keeps the string in tune) that's sticking out almost halfway up the neck (the long narrow piece of wood where you fret strings with the left hand; for more on these terms, see a later section on the parts of the banjo). This tuning peg holds the 5th string of the banjo (see Figure 1-1).

REMEMBER

The 5th string is a crucial distinguishing characteristic of the five-string banjo, both in the instrument's appearance and the sound of the music. The 5th string is not only shorter than the other four strings of the banjo, but this string is also the highest in sound (or pitch). The 5th string on a banjo lies within easy reach of the right-hand thumb, which you use to play this string in all kinds of banjo music. Having the highest-pitched string next to the string with the lowest pitch is unusual in comparison to how pitches are arranged on the strings of a guitar (as you can see in Figure 1-1), but this is one of the things that makes the banjo sound so great! This characteristic of the banjo is also one part of the instrument's ancient African ancestry (for more on this, see Chapter 7).

Tenor and plectrum banjos: Look for another book

In the early decades of the 20th century, folks loved the quality of sound of the banjo so much that they attached different kinds of necks to the banjo body to create new instruments with different numbers of strings. These hybrid instruments were tuned and played differently from the five-string banjo.

Tenor and plectrum banjos are examples of this phenomenon. These four-stringed instruments are commonly used in traditional jazz and Dixieland music, don't have the short 5th string, and are usually played with a flatpick instead of with the fingers.

Although these banjos have the same tone and general appearance as the five-string banjo, tenor and plectrum banjos use other tunings and playing techniques and are viewed as different instruments by banjo fans. These days, you may encounter a tenor or plectrum banjo when you hear a Dixieland band or the Preservation Hall Jazz Band, go to a mummers' parade, or catch an old Lawrence Welk rerun on television.

WARNING!

Don't confuse these types of banjos with the five-string variety! The five-string banjo is by far the most popular kind of banjo played today and its music is almost certainly what attracted you to the instrument. However, confusing the appearance of a five-string banjo with the four-string tenor or plectrum type of banjo is easy. You see, the bodies of these instruments are the same, but the necks reveal the difference (see Figure 1-2). You can't play five-string banjo music on a four-string tenor or plectrum banjo - these instruments aren't interchangeable! You need a five-string banjo to play five-string banjo music.

Knowing the Parts of a Banjo

Unlike a guitar, violin, or mandolin, a banjo is an amalgam of wood, metal, skin, and/or plastic held together by rods, nuts, screws, and brackets. You could call it the Frankenstein of musical instruments, but I like to think of it more like the Bionic Woman. All banjos share the common characteristic of having a replaceable membrane made of plastic or animal skin (called the head) that is stretched tightly across the body of the banjo (called the pot) to form the top of the resonating body of the instrument (see Figure 1-3).

REMEMBER

Five-string banjos come in three basic different styles: open-back, resonator, and electric banjos. Musicians select the kind of banjo they play based on their musical style and their personal tastes. Chapter 9 explains the differences between these kinds of banjos, along with tips for making an informed purchase.

In the following sections, you get to know the banjo from head to toe. You also discover how the instrument captures the energy of a plucked string and turns it into that unmistakably great sound that banjo players love. You can refer to Figure 1-4 to see exactly where these parts are located on the banjo.

Looking at the neck

The neck is one of the two main sections of the banjo (the pot being the other; see the section "Checking out the pot"). The neck is the long piece of wood that supports the strings and tuners. Necks are usually made of maple, mahogany, or walnut.

To get a better feel for the banjo, take a look at the parts of the banjo neck:

  •   Frets: The thin, metal bars on the banjo neck that are positioned at precise intervals to give you the various pitches needed when fretting a string. (Fretting is what you do when you move a left-hand finger into position behind a fret to change the pitch of a string.) In the world of fretting, you use the term up the neck to refer to moving the left hand towards the pot and down the neck when you talk about moving the left hand towards the nut and peghead.

  •   Fingerboard: A thin, flat wooden strip glued to the neck that holds the frets and acts as the surface upon which the left hand produces notes and chords.
  •   Peghead: Also called the headstock, the peghead is the elaborately shaped end of the neck that holds the tuning pegs for the four lower strings of the banjo.
  •   Tuning pegs: Sometimes called tuners or tuning machines, these pegs are the devices that raise or lower the pitch of the banjo's strings with a turn of the buttons located on the backside of the peghead. The pegs for strings 1 through 4 are attached to the peghead, while the tuning peg for the 5th string is found at the top of the neck near the fifth fret.

  •   Nut: A block of ivory, bone, or plastic that's glued to the end of the fingerboard where the peghead begins. Strings 1 through 4 pass through the grooves in the nut on their way to the shafts of the tuning pegs. The 5th string has its own nut, located near the fifth fret.

  •   Heel: The name given to end of the neck that's attached to the pot of the banjo.

  •   Truss rod: You can't see the truss rod, but it's an important part of the banjo neck. The truss rod is an adjustable metal rod that runs down most of the length of the banjo neck in a channel underneath the fingerboard. This rod helps to keep the neck stable and controls the amount of curve in the neck to keep the strings from buzzing when fretting. Most banjos have adjustable truss rods, which can be accessed at the peghead by removing the truss rod cover (a procedure best left to the pros).

    Checking out the pot

    The other major section of the banjo (other than the neck; see the preceding section) is the pot, the round lower body of the banjo including all of its constituent parts:

  •   Head: The plastic or skin membrane that acts as the vibrating top of the banjo. The head is largely responsible for the unique sound of your new favorite instrument.

  •   Rim: Sometimes called the shell, the rim is the circular wooden ring that is the centerpiece of the pot and is made from laminations or blocks of maple or mahogany. A well-made rim is essential to a good-sounding banjo.

  •   Tone ring: This part of the pot is a metal circular collar that is machined to fit on top of the wooden rim, and the head is stretched tight across its top outer circumference. Tone rings come in a variety of shapes and sizes. Together with the rim, the tone ring provides the fundamental shape and color to the banjo's tone. However, tone rings aren't found on all banjos and having one isn't absolutely necessary to having a good-sounding instrument. (See Chapter 9 for more on tone rings.)

  •   Brackets: Sometimes called hooks, brackets are ringed around the banjo pot and are responsible for tightening the head via the bracket screws that are attached to each bracket on the underside of the banjo.
  •   Tension hoop: Sometimes called the stretcher band, this circular metal ring fits over the outside edge of the banjo head and helps to uniformly stretch the head down across the top of the tone ring as the brackets are tightened.

  •   Bridge: The bridge transmits the vibrations of the strings to the head. Bridges range in sizes from 5/8" to 3/4". They are movable, but are held fast to the banjo head with the tension of the strings.
  •   Tailpiece: This part holds the strings on the pot end of the banjo. Many tailpieces are adjustable in various ways that can subtly affect overall banjo tone. (For more on tailpieces, see Chapter 10.)
  •   Armrest: The armrest is attached to the pot of the banjo and extends over the top of the banjo head to make right-hand playing more comfortable while simultaneously protecting the head.
  •   Coordinating rods: Seen only from the back of the banjo, these rods are attached at opposite ends of the rim, parallel to the banjo strings. The primary function of the coordinating rods is to keep the neck securely attached to the pot. However, they can also be used to make slight adjustments to the height of the strings off of the fingerboard (called string action). Some banjos have only one coordinating rod.
  •   Resonator: The bowl-shaped piece of wood that's attached to many banjos, especially those used in bluegrass music, is the resonator. The resonator projects the sound out and away from the instrument. They're usually constructed from the same kind of wood as the banjo neck. Open-back banjos don't have resonators (see Chapter 9 for more on the types of banjos).
  •   Resonator screws: Three or four screws that keep the resonator attached to the rest of the banjo pot.

  •   Flange: A circular metal piece connecting the pot to the resonator that helps to keep the resonator in place.

    (Continues...)

    Excerpted from "Banjo For Dummies" by Bill Evans. Copyright © 0 by Bill Evans. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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